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Apollo-Soyuz at Dusk, Cape Canaveral FL -- 1975
(IMPORTANT: ONLY TWO PRINTS LEFT. SEE NEW PRICES.)
This image shows the floodlit launch complex in stark relief in shades of red, white, grey, yellow and electric green. The backdrop for this is a soft, dark grey-purple sky with clouds. (253K JPEG)
Dye transfer print: 18.5" wide by 15" high (image area) (also available as an Ultrachrome print)
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Columbia at Dusk, Cape Canaveral -- 1981
The first space shuttle glows a cold, brilliant white in the light of the floodlights, set against the spectacular backdrop of a dusky blue sky and fiery red clouds. (182K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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F-1 Rocket Engine Nozzle, Cape Canaveral -- 1975
(IMPORTANT: ONLY TWO PRINTS LEFT. SEE NEW PRICES.)
Light and dark browns dominate this view of the interior of the bell of an F-1 rocket engine, striped by thousands of cooling pipes. A visual exercise in linear and circular geometries, combining subtle variations in color with intricate patterns. (168K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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Apollo 17 at Dawn, Cape Canaveral -- 1972
(IMPORTANT: ONLY THREE PRINTS LEFT. SEE NEW PRICES.)
Before sunrise the sky glows olive and orange and the clouds gray and fiery red behind the floodlit white and black Saturn V that carries the Apollo 17 spacecraft. (127K JPEG)
Dye transfer print: 11" wide by 8" high (image area)
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Apollo 17 Ignition, Cape Canaveral -- 1972
(IMPORTANT: LAST PRINT LEFT! SEE NEW PRICES.)
The Saturn V engines turn the sky deep orange and illuminate the rocket with a brilliant yellow light. Billowing clouds of smoke and steam run from incandescent white through yellow and orange to rich browns. (118K JPEG)
Dye transfer print: 19" wide by 12" high (image area) (also available as an Ultrachrome print)
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Apollo 17 Liftoff, Cape Canaveral -- 1972
(IMPORTANT: LAST PRINT LEFT! SEE NEW PRICES.)
Colors deepen and become more intense as the rocket lifts off on a pillar of white flame, surrounded by bright yellow-orange clouds, as red and orange light fills the atmosphere. (125K JPEG)
Dye transfer print: 19" wide by 11" high (image area) (also available as an Ultrachrome print)
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Apollo 17 Sunrise, Cape Canaveral -- 1972
(IMPORTANT: LAST PRINT LEFT! SEE NEW PRICES.)
Sunrise behind a nearly-silhouetted Apollo 17 shows a giant white sun rising behind banks of rich sienna and golden orange-yellow clouds, as a helicopter flies above. A visual poem in microtones of yellows. (138K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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Saturn V Engine Cluster, Cape Canaveral FL -- 1975
(IMPORTANT: LAST PRINT LEFT! SEE NEW PRICES.)
Hard-edged geometries in whites, grays, browns, and blacks provide a stark contrast to a deep blue sky in this paean to industrial metal. (156K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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Apollo-Soyuz Gantry Rollback, Cape Canaveral FL -- 1975
As the dark purple- and green-lit gantry rolls away, the white and black Saturn I perches on its gray "stool" and launch pad, accompanied by the bright red service structure. Below a deep blue-black night sky, foreground waters reflect the yellow, green and lilac hues of lights illuminating the launch complex. (135K JPEG)
Dye transfer print: 15" wide by 19" high (image area) (also available as an Ultrachrome print)
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Apollo 17 Contrail, Cape Canaveral -- 1972
(IMPORTANT: LAST PRINT LEFT! SEE NEW PRICES.)
A pointillistic interpretation of the flight of Apollo 17. As the Saturn V nears first-stage burnout, miles downrange, it looks like a fiery comet in the night sky, with a pure white head of flame surrounded by a brilliant-red halo. The flame trails a turbulent, expanding tail of delicate purples, yellows and golds, and deep browns and oranges. (109K JPEG)
Dye transfer print: 15" wide by 19" high (image area) (also available as an Ultrachrome print)
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STS 1 in Desert Mirage, Edwards AFB CA -- 1981
Heat ripples rising in the desert air turn the shuttle into an impressionistic painting in fine brush strokes. The white and black shuttle and its white, yellow, and red support vehicles seem to float in the dusty subtle blue "waters" of the desert mirage that mirrors the vehicles. The intense tones and hard edges of the shuttle and vehicles contrast with the soft and dusty desert background. (208K JPEG)
Dye transfer print: 19" wide by 9" high (image area) (also available as an Ultrachrome print)
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Sunset Under Columbia, Cape Canaveral -- 1981
(IMPORTANT: ONLY THREE PRINTS LEFT. SEE NEW PRICES.)
A golden sun sets through red clouds behind the launch complex for the first shuttle mission. Salmon light permeates the sky and clouds, providing a peaceful backdrop to the soft grays and pale whites of the shuttle and its launch complex. (199K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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Floodlit Columbia, Cape Canaveral -- 1981
The Columbia, illuminated by floodlights at night, glows like some homage to the Taj Mahal. Almost ghostly pale in its brilliance, in contrast to the dark reds, blues and greens of the support structures. Blue-white floodlight beams fan out diagonally to illuminate the shuttle and fill the sky with deep blue spreading rays of light. (188K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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STS 1 Landing Glide, Edwards AFB CA -- 1981
(IMPORTANT: ONLY TWO PRINTS LEFT. SEE NEW PRICES.)
The space shuttle Columbia and its chase plane, nearly pure white and pure black, pass overhead in a deep cobalt-blue sky, as the first space shuttle prepares for landing. (115K JPEG)
Dye transfer print: 14" wide by 9.5" high (image area)
(also available as an Ultrachrome print)
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Columbia & Rotating Service Structure, Cape Canaveral -- 1981
(IMPORTANT: LAST PRINT LEFT! SEE NEW PRICES.)
Another night photograph of the first space shuttle, with Columbia gleaming brilliant white in a cool slate-gray and green launch complex. Pinpoint yellow lights and red and yellow structural elements against a deep black sky lend color to a largely neutral palette. (215K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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Spacelab Cradle, Kennedy Space Center FL -- 1981
(IMPORTANT: ONLY TWO PRINTS LEFT. SEE NEW PRICES.)
Strong horizontal and diagonal lines and myriad multi-hued variations on yellow dominate this composition. The intense yellows and deep blues of the spacelab facility contrast with the pale greens and grays of the surrounding walls. (242K JPEG)
Dye transfer print: 15" wide by 18" high (image area) (also available as an Ultrachrome print)
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SR-71 Air Inlets, Museum of Flight, Seattle WA -- 1992
(IMPORTANT: ONLY TWO PRINTS LEFT. SEE NEW PRICES.)
A companion piece to "SR-71 Fuel Lines," which was part of the original Gallery postings. Burnished titanium sheets almost glow in soft grays with delicate shadings of yellow, pink, and green reflected light. Rivets and hard panel edges add strong compositional elements to a muted, almost restful composition. (123K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Columbia in Late Afternoon, Kennedy Space Center FL -- 1981
A gold sun peeks through broad sweeps of salmon-pink cumulus clouds in a bright yellow-orange sky, sending rays of pink light towards the horizon. A soft gray shuttle and deep gray launch complex stand darkly against this brightly-lit and colored backdrop. (157K JPEG)
Dye transfer print: 19" wide by 12" high (image area)
(also available as an Ultrachrome print)
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Colby Crane, Vehicle Assembly Bldg, Cape Canaveral FL -- 1972
(IMPORTANT: ONLY TWO PRINTS LEFT. SEE NEW PRICES.)
Criss-crossing beams and girders fill this composition with olive green and brown diagonals. The traveling crane in the foreground mirrors the geometry of the girders at the same time that its intense orange-yellow hues stand in contrast to them. (275K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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Shuttle Booster Tie-Down Posts, Cape Canaveral FL -- 1981
(IMPORTANT: ONLY THREE PRINTS LEFT. SEE NEW PRICES.)
Smooth, battleship-gray and brown steel plate and white railings contrast with a cobalt sky and pale blue clouds. Complex shadows wash over the panels in this view of the underside of the launch pad. (102K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print)
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Vehicle Assembly Building Low Bay, Cape Canaveral -- 1972
Bright lights and spots of color fill the interior of this complex composition. Yellows, oranges, and greens predominate, with splashes of deep blue, intense red, and hot pink. White light washes down from the tall windows at the end of the bay, highlighting massive girders and panels. (248K JPEG)
Dye transfer print: 19" wide by 15" high (image area) (also available as an Ultrachrome print) |
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Midnight at the VAB, Cape Canaveral FL -- 1981
(IMPORTANT: LAST PRINT LEFT! SEE NEW PRICES.)
I made this image of the Vehicle Assembly Building the night before the first shuttle launch. The deep green of the mercury floodlights contrasts with the yellows and oranges of the sodium and incandescent lamps, which are also reflected darkly in the yellowish sky. The "small" palm trees at the base of the VAB give a hint of its enormous size. (172K JPEG)
Dye transfer print: 19" wide by 12" high (image area)
(also available as an Ultrachrome print)
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Floodlight Beams over Cape Canaveral -- 1975
Photographed the night before the launch of the Apollo-Soyuz mission, this photograph shows the floodlight beams from the lights used to illuminate the launch pad. The beams pass overhead; as they enter the clear air over the ocean, they seem to cut off in mid-space. A dark image in very deep blues verging on, but never quite reaching, black. (84K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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SR-71 Engine Fuel Lines, Museum of Flight, Seattle WA -- 1992
Looking like a cross between a 1930's locomotive engine and a painting by H.R. Giger, this image of the side of an SR-71 jet engine is rendered in golds, bronzes and dark sooty greys. (99K JPEG)
Dye transfer print: 15" wide by 18" high (image area)
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THE FOLLOWING ARE SOLD OUT AS DYE TRANSFER PRINTS!
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They are available as Ultrachrome digital prints.
Apollo-Soyuz in Floodlights, Cape Canaveral ~ 1975
The Apollo-Soyuz Saturn rocket and its launch pad shine with ghostly brilliance in the floodlights. They stand against a deep blue-black sky, crisscrossed by deep indigo floodlight beams, while the reds, yellows, and turquoises of the launch complex and its lights are reflected in the lagoon in the foreground.
(172K JPEG)
Available as an Ultrachrome digital print
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Assembly Bay and Gantry, Cape Canaveral -- 1975
This is one of my most popular images. It shows a Saturn assembly area inside the Vehicle Assembly Building, looking almost straight up. The brilliant, strikingly-surreal colors are a combination of the bright color scheme in which the equipment is painted and at least four different kinds of lighting in the building. (300K JPEG)
Available as an Ultrachrome digital print
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Purple Gantry, Cape Canaveral -- 1972
Floodlights illuminating Apollo 17 (off-camera left) fill the sky with radiating rays of pale light in purples, blues, and dusky reds. The illuminated gantry glows incandescent in yellows, oranges, and hot reds, all gracefully reflected in the waters spread below the gantry and sky to give this photograph a painterly quality. (181K JPEG)
Available as an Ultrachrome digital print
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Saturn V Assembly Well, Cape Canaveral -- 1972
Resembling some abstract geometric construction, this photograph taken straight up into an unoccupied Saturn V assembly bay is composed of concentric, receding circles criss-crossed by strong diagonal structural beams. Red is its single color, accented by blacks, whites, and bands of intense shadow. (236K JPEG)
Available as an Ultrachrome digital print
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STS #1 Liftoff: T+8 Seconds, Cape Canaveral -- 1981
Haze softens the early morning sky of the first shuttle launch, reducing the landscape to muted cool tones and colors. As Columbia clears the tower on a brilliant white and yellow flame, billowing clouds of steam and smoke are tinged with subdued yellows, salmons, pinks, and blues, as if illuminated by sunrise. The dusky blue-gray sky and the multi-hued clouds and flame are reflected in the waters below. (116K JPEG)
Available as an Ultrachrome digital print
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