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My Dye Transfer Prints
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| My dye transfer prints are all made using original Kodak papers and dyes. The paper stock is double- or triple-weight fiber base with an air-dried F surface. The prints have at least 1" of white paper around the image area, and I title and sign the prints in archival ink under the image.
What are dye transfer prints? This article will tell you all about how these ultra-fine photographic prints are made.
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Framed Print
Should you choose to purchase a framed print, this is typical of what you'd get. You have a choice of double-mattes, as shown here, or a single off-white matte. All materials in contact with the print are archival and the print is not dry-mounted, but taped to the matte. The glazing is acrylic, which can't shatter in shipping. If you wish to replace it with picture glass, be my guest.
The print shown, "Painted Dunes and Fantastic Lava Beds, Lassen Volcanic Park CA - 1985" is available for purchase.
This is only a photograph of a photograph, so the screen image doesn't look as much like the original as the others in the gallery. (162K JPEG)
(Two prints left)
Dye transfer print: 15" wide by 19" high (image area) |
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Sealing Wax Palm, HI ~ 2000
(Four prints left)
The sealing wax palm is named for the brilliant red stalks it sends out, reminiscent of the wax used to seal documents. Intense reds butt up against equally intense greens in the shady tropical light.
(307K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Teak Roots, Foster Botanical Garden HI ~ 2000
(Two prints left)
Teak roots look almost metallic in their dark brown-black, shiny bark, spotted with green lichens. They sprawl gracefully across the tanbark of the botanical garden.
(303K JPEG)
Dye transfer print: 7.5" wide by 9.5" high (image area)
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Heliconia, Foster Botanical Garden HI ~ 2000
(Two prints left)
Heliconia blossoms in rosy spikes, hidden in the cool blue-green shadows of the startlingly verdant fronds. The yellow blossoms are nearly hidden in their crimson sheaths.
(262K JPEG)
Dye transfer print: 9.5" wide by 7.5" high (image area)
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Traveller's Tree, Foster Botanical Garden, Honolulu HI ~ 2000
(Two prints left)
The spectacular fronds of the Traveller's Tree come together in a tight weave that catches water (from which the tree gets its name). Rich tropical colors line the fronds- brilliant reds and oranges, dusky olive yellows and greens and deep emerald hues.
(287K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Two Jellyfish, Honolulu Aquarium HI ~ 2000
(Five prints left)
A few rays of sunlight bring out delicate shades of gold and azure in the two jellyfish floating under their reflections in the surface of the water. (111K JPEG)
Dye transfer print: 8" wide by 9.5" high (image area)
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Three Jellyfish, Honolulu Aquarium HI ~ 2000
(Two prints left)
Three jellyfish are accompanied by their reflections in the watery surface overhead. Delicate shades of orange, gold, blue, and azure dapple their seemingly luminescent surfaces. (147K JPEG)
Dye transfer print: 9.5" wide by 8" high (image area)
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Devastation Trail Cinders and Brush, Kilauea HI ~ 2000
(Three prints left)
New plant life springs from the desolate landscape left by an eruption. Amid gray-brown cinders and dead fallen tree trunks, grasses, ferns, and polygonium come to life in yellows, greens, and brilliant reds.
(291K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Fern in September '82 Lava Flow, Kilauea HI ~ 2000
(Three prints left)
Ferns are among the first plants to colonize fresh pahoehoe, drawing nutrients from the air and the minerals in the lava and breaking it down into soil that other plants can root in. A lone hapu'u fern spreads its vivid red and green fronds in a crevice in the striped and patterned yellow and charcoal-gray lava sheets, under a dusky blue tropical sky. (360K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Talipot Palm, Foster Botanical Garden, Honolulu HI ~ 2000
(Three prints left)
Looking up through the fronds of the Talipot Palm, one sees brilliant blue-white sunlight reflecting off of the glossy sea-green and emerald foliage, set against a clear cyan sky.
(242K JPEG)
Dye transfer print: 13.5" wide by 19" high (image area)
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Lava Tube and Ashes, Bird Park HI ~ 2000
(Three prints left)
A fast-moving forest fire destroyed the grasses and sedges that hid this subterranean lava tube, now revealed in shades of charcoal brown against a stark black and white landscape.
(340K JPEG)
Dye transfer print: 19" wide by 12"
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Seared Ohi'a and Koa Trees, Bird Park HI ~ 2000
(Three prints left)
The short-lived forest fire burnt quickly and hot, reducing the landscape to monochrome ash while leaving the dead trees standing with their leaves intact. There were just a few hints of color, patches of browns and greens, left in this desolate scene.
(229K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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Black and White Ashes, Bird Park HI ~ 2000
(Five prints left)
Forest fire converted the verdant ground cover to charcoal-black and snow-white ash, the delicate shapes of stems and leaves preserved in carbonized form. Pale brown leaves falling from the dead trees dapple a monochrome scene.
(369K JPEG)
Dye transfer print: 18" wide by 15" high (image area)
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Pahoehoe Slabs and Burnt Sedge, Bird Park HI ~ 2000
(Three prints left)
Forest fire cleared away the ground cover leaving behind only charcoal blacks and stark whites, spotted with brown leaves. The large sand-colored underlying slabs of pahoehoe are evidence of the volcanic origins of this tropical isle.(406K JPEG)
Dye transfer print: 19" wide by 14.5" high (image area)
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Forest Fire Aftermath, Bird Park HI ~ 2000
(IMPORTANT: LAST PRINT LEFT!)
Autumnal colors appear to dominate the tree's foliage, but in fact they are the browns and reds of seared leaves. They stand out against the blackened tree trunks and intense black and pale tans of the scarred landscape, under a gloomy sky. (393K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Polygonium and Deadwood, Devastation Trail HI ~ 2000
(Four prints left)
The fire-engine red leaves and hot pink blossoms of the Polygonium are beginning to cover the ghostly gray skeleton of trees felled by an eruption.
(406K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Islets in Puhi Bay, HI ~ 2000
(Three prints left)
Late afternoon tropical light casts a clear and deceptively cool blueness over Puhi Bay. The icy violets and blues of this photograph bely the tropical clime. (254K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Ohi'a Grove, Kilauea HI ~ 2000
(Three prints left)
A dense grove of Ohi'a trees becomes an intricate interwoven pattern of yellows, tans, and pale greens in this highly textured composition.(438K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Lichen and Scorched Trees on Pahoehoe, Mauna Ulu HI ~ 2000
(Three prints left)
Pale golden lichens help repopulate a textured, barren landscape of dark gray-brown tree trunks and ocher and black folds and pillows of pahoehoe. (340K JPEG)
Dye transfer print: 19" wide by 10.5" high (image area)
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Red Spatter Cone, Mauna Ulu HI ~ 2000
(Three prints left)
The spatter cone, built up from blobs of molten lava, still glows like an incandescent artist's paint pot in rich and rusty reds, oranges, yellows, and slates. New, verdant life provides a contrast with the somber brown landscape. (328K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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Hapu'u Forest, Volcanoes National Park HI ~ 2000
(Three prints left)
Hapu'u ferns populate the tropical rainforest, displaying their massive fronds in dark browns and oranges and incandescent sunit yellows and greens. (389K JPEG)
Dye transfer print: 15" wide by 18" high (image area)
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Tree Trunks and Lava Tree Molds, Mauna Ulu HI ~ 2000
(Four prints left)
The skeletal remnants of an incinerated tree are embedded in the pahoehoe in this nearly-monochrome composition in blue-blacks, grays, and soft browns. (360K JPEG)
Dye transfer print: 18.5" wide by 15" high (image area)
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Great Southwest Rift, Kilauea HI ~ 2000
(Four prints left)
The view across the caldera of Kilauea is portrayed in soft tropical light of pale yellows, dusky blues, soft grays and brick-red browns. (324
K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Rainbow over Mauna Ulu Flow, HI ~ 2000
(IMPORTANT: LAST PRINT LEFT!)
A lovely tropical rainbow spreads its low-set arms under a blue sky, over the charcoal blacks of the Mauna Ulu lava flows. (209K JPEG)
Dye transfer print: 19" wide by 10.5" high (image area)
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Ohi'a Grove After Fire, Bird Park HI ~ 2000
(Two prints left)
Burnt Ohi'a trees are left standing in the aftermath of a forest fire, rendered in tans and browns against a charcoal land. (459K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Polygonium and Wildflowers, Devastation Trail HI ~ 2000
(Two prints left)
Plant life eventually overwhelms lava as grasses and ground cover establish themselves in intense reds, golden yellows, tans and deep blue-greens. (SIZEK JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Fern Rain Forest, Volcanoes National Park HI ~ 2000
(Three prints left)
The ferns and trees of the tropical rainforest glow in shades of line, emerald, and deep, cool, greens under a delicate mist.(SIZEK JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Steaming Bluffs, Kilauea HI ~ 2000
(Three prints left)
Volcanic vapors waft off the steaming bluffs of Kilauea, resembling wisps of smoky fog. This soft and peaceful composition is painted in subtle turquoises, blues, cyans, purples and myriad shades of forest green. (233K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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THE FOLLOWING ARE SOLD OUT AS DYE TRANSFER PRINTS!
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Mindanao Gum Tree, Honolulu HI -- 2000
The very unusual and colorful bark of this tree looks like peeling layers of bright paint. A rainbow mix of red, blue, green and yellow curls, stripes and patches. (152K JPEG)
Available as an Ultrachrome digital print |
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Hapu'u Fronds, Volcanoes National Park HI ~ 2000
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Huge hapu'u fronds display their intense greens, yellows, and browns in the tropical rainforest, accented by one pink wild rose. (459K JPEG)
Available as an Ultrachrome digital print |
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Taro, Foster Botanical Garden, Honolulu HI ~ 2000
Deep hues of viridian, emerald, yellow, and jade pattern the leaves of the taro plant, providing a brilliant contrast with the scarlet stalks that carry them.
(254K JPEG)
Available as an Ultrachrome digital print |
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Kahili Wild Ginger, Kilauea Iki Trail HI ~ 2002
A wild ginger stalk blossoms in sunny yellow with crimson tongues, amid the jade and emerald tones of tropical ferns. (303K JPEG)
Available as an Ultrachrome digital print
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Medinilla Berries, HI ~ 2002
Medinilla berries and their stalks are brilliantly colored with rich magentas, violets, purples, and indigos. The deep blue-green foliage makes the stalks and berries stand out in almost three-dimensional relief in this dark and rich composition. (172K JPEG)
Available as an Ultrachrome digital print
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Lotus Pond, HI ~ 2002
Bits of sunlight filter through the palm fronds of the tropical forest to create splashes of bright yellow-green light on the shrouded lotus pond, portrayed in dark shades of peacock-green and malachite that verge on black. (287K JPEG)
Available as an Ultrachrome digital print
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Jewels of Kilauea-- the fascinating and colorful lava of the southern Big Island of Hawai'i.
The question I'm asked most often about this work is whether or not the colors are real; some viewers have wondered if they were somehow created by me. The answer is that the colors and tones in the following photographs are entirely natural. They are not the result of special photographic tricks. I made all the photographs with natural lighting, and I didn't use any special filters to create or enhance the existing color.
In truth, the 'black' pahoehoe lava flows of Kilauea are anything but dull and monochrome!
The subjects of these photographs range in size from several feet across down to one inch.
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Tortoise Shell Pahoehoe and Ferns, HI ~ 2002
(Five prints left)
Silver dapples the black pahoehoe, which is tinted with subtle shades of blue and brown. Newly sprouted ferns are among the first plants to colonize fresh pahoehoe; their electric yellows and greens present a striking contrast.
(430K JPEG)
Dye transfer print: 10" wide by 7" high (image area)
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O'helo Sprouting from Pahoehoe, Mauna Ulu HI ~ 2002
(Five prints left)
Arranged like some kind of studio still life, a young o'helo bush sprouts in vivid reds and lime-greens from beneath a boulder of pearly opalescent and gold pahoehoe. Much favored by Pele, o'helo is another early colonizer of Hawai'i's lava flows.
(463K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Iridescent Banded Pahoehoe, Mauna Ulu HI -- 2000
(Two prints left)
Bands of yellow, salmon and cool blue wash across this patch of veined lava. Fractal-like black and yellow contrasting cracks texture the surface. (223K JPEG)
Dye transfer print: 10" wide by 7.5" high (image area)
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Iridescent Pahoehoe, Kilauea HI -- 2000
(Five prints left)
A fragment of lava flashes with intricate patterns of intense, deep blue and hot yellow-orange, against a background of dark pahoehoe reminiscent of boiling thunderclouds. (158K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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'Fiery' Pahoehoe, Kilauea HI -- 2000
(Five prints left)
Brilliant rust-red banding on these cold boulders creates the impression of glowing molten lava under a cooling gray-black mantle. (216K JPEG)
Dye transfer print: 9.5" wide by 7.5" high (image area)
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Weathered Pahoehoe Folds, Kilauea HI -- 2000
(Two prints left)
Yellow, white, and sky-blue clays speckle these dirt-red folds in old pahoehoe, reminiscent of fossilized ribs. (281K JPEG)
Dye transfer print: 9.5" wide by 8" high (image area)
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Red Spatters, Kilauea HI -- 2000
(IMPORTANT: LAST PRINT LEFT!)
Leaden spatter bombs of lava, laced with red highlights and brick-orange 'heads.'
Iron compounds create the look of fiery meteors plunging downward. (137K JPEG)
Dye transfer print: 7" wide by 10" high (image area)
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Bright Folds in Black Pahoehoe, Kilauea HI -- 2000
(Three prints left)
Isolated brilliant folds in iridescent yellows and blues appear spot lit against a field of inky black lava starred with isolated bits of bright colors. The feeling conveyed is of some nocturnal undersea bed. (109K JPEG)
Dye transfer print: 8" wide by 9.5" high (image area)
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Pearly Pahoehoe, Kilauea HI -- 2000
(Four prints left)
Shiny pale blue coils and swirls of lava glisten with opalescent pinks and yellows, against a background of dark, pumicelike rocks spotted with blacks and dull reds . The resemblance to colorful abalone shell is astonishing. (219K JPEG)
Dye transfer print: 9.5" wide by 7.5" high (image area)
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Triangular Shard, Kilauea HI -- 2000
(Four prints left)
Brilliant fragments of pahoehoe are scattered like jewels on dark, multicolored, frothy pebbles. Intense blues and pale yellows dominate, accented by metal-bright, cherry-red bubbles. It's hard to believe this is merely lava. (142K JPEG)
Dye transfer print: 7.5" wide by 10" high (image area)
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Blue and Yellow Lava, Spatter Ramparts, Kilauea HI -- 2000
(Four prints left)
Blue stone shimmers with a colorful 'oily' sheen, embedded in a frozen froth of yellow lava.
(135K JPEG)
Dye transfer print: 8" wide by 9" high (image area)
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Iridescent Vesicles, Spatter Ramparts, Kilauea HI -- 2000
(Three prints left)
A broken shard of pahoehoe revels metallic, brilliant hues of red, yellow, and blue on the exposed gas bubble walls. The black surface is patterned with a salamander-skin-like pattern in gold, white, and orange. (123K JPEG)
Dye transfer print: 7.5" wide by 9.5" high (image area)
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Yellowed Pahoehoe Surface, Kilauea HI -- 2000
(Three prints left)
The brilliant yellow "salamander skin" pattern on this black pahoehoe surface contrasts with patches of deep, iridescent blue.
(223K JPEG)
Dye transfer print: 7.5" wide by 9.5" high (image area)
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Lava Icicles & Stalagmites, Pua Po'o Lava Tube HI ~ 2000
(Five prints left)
As hot molten rock seeps through the walls of the lava tube, it cools into thin icicles of shiny black rock. The molten rock that drips off the tips forms fantastic matching stalagmites dappled with browns and golds that glow against the stark blackness of the lava walls. (225K JPEG)
Dye transfer print: 7.5" wide by 9.5" high (image area)
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Actinomyces Colonies, Pua Po'o Lava Tube HI ~ 2000
(Three prints left)
Actinomyces bacteria colonize the walls of the lava tube. Captured with flash, they are a brilliant pinkish white against the inky lava, in a scene that resembles a star-filled astrophotograph. (242K JPEG)
Dye transfer print: 10" wide by 7.5" high (image area)
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Branches on Folded Pahoehoe, Hilina Pali Rd HI ~ 2002
(Four prints left)
Rusty brown folds of cracked pahoehoe spread out like fractured ripples in a petrified pond. A dead, angular branch, shaded in harsh tones of white, gray, and soot black, “floats” on the surface. (496K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Cracked Tumulus, Hilina Pali Rd HI ~ 2002
(Three prints left)
A huge pillow of lava breaks through the yellow and green scrub. Its layered arches of pale browns and deep ebonies stand in strong contrast to the singularly blue sky in the background and the stark white tree branches in the foreground.
(356K JPEG)
Dye transfer print: 10" wide by 7.5" high (image area)
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Dried Ferns, May '73 Flow, Volcanoes Park HI ~ 2002
(Three prints left)
Only the barest hints of color break the monochrome impression of this photograph. Faint shades of pale browns and extremely subtle blues and yellows tint the neutral grays, whites, and blacks of this seared landscape.
(397K JPEG)
Dye transfer print: 10" wide by 7.5" high (image area)
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Ohelo Sprouts in Lava Wall, May '73 Flow, Volcanoes Park HI ~ 2002
(Three prints left)
Riotous splashes of color are splattered across this lava-wall, as if buckets of orange and ocher paint had been flung at it. The pearly blue-black pahoehoe supports a few young ohelo sprouts, themselves brilliant in intense reds and new-growth greens.
(520K JPEG)
Dye transfer print: 10" wide by 7.5" high (image area)
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Cobalt and Golden Shard, Volcanoes Park HI ~ 2002
(Four prints left)
This is the very last dye transfer print I made before shutting down the darkroom for good.
This fractured fragment of pahoehoe holds a brilliant night-sky blue core, with scattered white starbursts. Gold and orange foam frames the interior.
(392K JPEG)
Dye transfer print: 7.5" wide by 10" high (image area)
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THE FOLLOWING IS SOLD OUT AS A DYE TRANSFER PRINT!
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Competing Ferns, May '73 Lava Flow HI ~ 2002
A cluster of ferns in greens, reds, oranges, yellows, and browns springs forth from a crevice in the charcoal black pahoehoe from the May 1973 lava flow.
(414K JPEG)
Available as an Ultrachrome digital print
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Painted Brick Wall, El Triunfo, Baja Mexico ~ 1991
(Four prints left)
Tan, pink, red, and blue weathered paint provide an abstract backdrop for the dark green foliage in this painting-like composition. (348K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Scarlet Spiny Cactus, Baja Mexico ~ 1991
(Three prints left)
Late afternoon light transilluminates the scarlet spines of this cactus as well as the golden and green wildflowers nearby. (381K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Black Sand Rivulets, Cabo Pulmo, Baja Mexico ~ 1991
(Two prints left)
Almost monochrome, the delicate rivulets of black and tan sand trace the flow of the waves that wash over these beach pebbles. The last rays of the setting sun provide just a hint of warmth to the highlights. (348K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Palm Frond, Cabo Pulmo, Baja Mexico ~ 1991
(Three prints left)
A simple palm frond, back-illuminated by the morning sun, lights up with incandescent yellows and vivid emerald greens. (262K JPEG)
Dye transfer print: 6.5" wide by 10" high (image area)
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Lobster Carapace, Cabo Pulmo, Baja Mexico ~ 1991
(IMPORTANT: LAST PRINT LEFT!)
A tropical lobster shell resting on the tan beach sports remarkable steel blues and molten oranges. (332K JPEG)
Dye transfer print: 18" wide by 15" high (image area)
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Hibiscus Blossom, Cabo Pulmo, Baja Mexico ~ 1991
(IMPORTANT: LAST PRINT LEFT!)
A single hibiscus blossom glows with electric rosiness amidst the darkness of the green leaves surrounding it. (197K JPEG)
Dye transfer print: 11" wide by 7" high (image area)
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Stones on Sand, Cabo Pulmo, Baja Mexico ~ 1991
(Two prints left)
Just a handful of pebbles, caught by the last rays of the setting sun. It brings out lovely warm oranges in the sand and the stones, contrasting with the slate blue shadows of twilight. (360K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Boojum Trunk, Baja Mexico ~ 1991
(Three prints left)
Yellows, oranges, and charcoal grays comprise the palette of the boojum trunk, resembling some unlikely alien landscape. (352K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Lobster Tail, Cabo Pulmo, Baja Mexico ~ 1991
(Two prints left)
A lone lobster tail on the white sand beach displays a dark turquoise finish offset by olive greens and browns. (135K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Berries, Cabo Pulmo, Baja Mexico ~ 1991
(Four prints left)
Translucent berries sparkle in the noonday sun with hues of electric magenta and red. (430K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Basket Weave Cholla, Baja Mexico ~ 1991
(Two prints left)
Lime greens and yellows color the fruit of this cactus, backed by the pale blue sky and brown desert floor. (340K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Crab and Snail Shells, Cabo Pulmo, Baja Mexico ~ 1991
(Four prints left)
A tiny brown and crimson, white-speckled crab, so easily seen in close-up, blends well into the pink granite from a distance. Dusky slate-purple snails blending even better; there are twenty of them in this photograph! (311K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Broklen Adobe Wall, El Triunfo, Baja Mexico ~ 1991
(Three prints left)
Red-clay adobe catches the afternoon light in fiery hues, with blue, green and purple background accents. (401K JPEG)
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THE FOLLOWING ARE SOLD OUT AS DYE TRANSFER PRINTS!
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Blooming Century Plant, Baja Mexico ~ 1991
Clear morning desert light illuminates the incandescent yellow blossoms and vivid green buds of an agave, against a rich and deep blue sky.
(221K JPEG)
Available as an Ultrachrome digital print
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Shrine by Hwy 1, Baja Mexico ~ 1991
Red memorial flowers accent this whitewashed saguaro turned into a shrine, against the deep blue desert sky. (193K JPEG)
Available as an Ultrachrome digital print
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Saguaros, Boojums and Rocks, Baja Mexico ~ 1991
Late afternoon in the Baja desert: the sky goes deep blue, the shadows even colder, and the rocks and foliage still lit by the sunlight take on a lovely golden color. Dark blues and greens contrast with bright oranges and yellows. (356K JPEG)
Available as an Ultrachrome digital print
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Rainbow Diversity Christmas, S.F. ~ 2000
(Two prints left)
All the colors of the rainbow, in brilliant, coordinated spectral order, ornament this corner victorian in the Castro District. (242K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Blue Xmas, Daly City CA ~ 1996
(Three prints left)
The theme of the exterior decor is deep blues and indigos, contrasting with the warm traditional tones and colors of the living room (250K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Bougainvillea, Daly City CA ~ 2001
(Three prints left)
It may not be snow and poinsettia, but this house still manages to be decorated in traditional whites, reds and greens. (332K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Red, Yellow, Blue, Green Windows, San Jose CA ~ 1999
(Three prints left)
The title tells all about the simple, elegant decorations on this Spanish-style home. (229K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Picket Fences, Daly City ~ 2000
(Three prints left)
This cozy little scene is predominantly white, blue and green, with festive touches of brilliant red. A soothing and inviting display. (254K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Xmas Spirit, Daly City ~ 1998
(Two prints left)
This is the display that inspired me to develop this photography as a serious project. It was just so... exuberant. It incorporates everything but the kitchen sink, in every brilliant color of the spectrum. (365K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Reindeer Crossing, Broadmoor ~ 1998
(IMPORTANT: LAST PRINT LEFT!)
A rich, warm brown plastic herd lounges on the green lawn in front of a festive white and red plastic chorus. Red, white and green lights adorn the landscape and house.(319K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Two Cats, Palo Alto ~ 2002
(Three prints left)
Life used to be so hard. Now everything is easy with warm, welcoming yellow icicle lights and brilliant green foliage decorated with rainbow strings of lights. (319K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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A Visit from Santa ~ 2000
(Three prints left)
Macy's in New York would be hard-pressed to mount a more magnificent and better-designed Xmas display.It's almost fiery in its brilliance, with intense reds and yellows, complimented by cool deep greens and frosty whites. (393K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Modern Xmas Trees, San Jose ~ 2002
(Three prints left)
Welcome to the future... retro style. From the stencil cut-out sleigh and reindeer sculptures to the abstract spiral-lit trees, the rich reds, whites and greens of the scene are something from a 1950's imagining of the 21st Century. (266K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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House of Lights, Daly City ~ 1996
(Three prints left)
This home is completely enshrouded in strands of multicolored bulbs. It glows translucently like some deep sea jellyfish or perhaps a Christmas Ghost. (254K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Stairs to Christmas, Daly City ~ 2002
(Three prints left)
Luxuriously-warm tones define this photograph, as white, yellow, orange, red and green lights illuminate the stone steps and stucco walls that lead to an inviting entryway. (221K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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Xmas Rose Garden, Daly City CA ~ 1999
(IMPORTANT: LAST PRINT LEFT!)
A “snowy” scene without the snow. White trim paint and a white stone garden, accented by soft brick-red stonework and the delicate greens of the rose bushes and house paint create a true holiday atmosphere. The pale blues, greens, reds, and whites sparkle with yellow white lights. (344K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Garden with Xmas Lights, Daly City CA ~ 1999
(IMPORTANT: LAST PRINT LEFT!)
Deep, brilliant colors adorn this California garden, with plants highlighted in intense blues, electric yellow-greens, and incandescent reds and yellows. It's about splashes of luminescent color set against the dark, soft hues of night. (332K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Window Lights, San Jose CA ~1999
(Three prints left)
An adobe style home has an almost ghostly presence, with doors and windows rimmed by intense blue white lights, subtly picked up in icy blue shadows. A little warmth shows through the windows in contrast to the chill exterior. (217K JPEG)
Dye transfer print: 19" wide by 12"
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Crimson Christmas Lights, Pacifica CA ~ 2000
(Three prints left)
These decorations seemed to glow with an internal heat, an impression created by rich crimson, orange, and yellow lighting. Accents of deep green and blue lights make the furnace-like ruddiness seem all the more intense. (389K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Drinking Deer & Waving Santa, Daly City CA ~ 2000
(Four prints left)
Rosy-white lights in icicle strings and light sculptures delineate this scene. Accents of festive rainbow-hued lights splash color across the tree and doorway. (373K JPEG)
Dye transfer print: 19" wide by 14.5" high (image area)
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Nine Apartments, S.F. CA ~ 2000
(Three prints left)
Each apartment has its own color scheme of pale blue, warm soft orange, hot and pale yellow, bombastic red. Dark and saturated red, green, and blue lights tie the composition together with bold diagonal strokes. (373K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Red, White and Blue Xmas, Daly City CA ~ 1999
(Three prints left)
A tricolor design in icy blue, brilliant white, and saturated magenta lighting decorates this olive green house. Luminous accents in yellows and red draw the eyes into the curtained windows. (328K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Light-wrapped Oak and Traditional Lights, San Jose CA ~ 1999
(IMPORTANT: LAST PRINT LEFT!)
An old oak is suffused by warm tans and browns, wrapped in light, backed by classic Christmas lights in alternating reds, yellows, greens, and blues. The illumination is warmly inviting under a midnight-blue sky. (377K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Holiday Floods and Frosty, Daly City CA ~ 2000
(Three prints left)
Hints of Mondrian come to mind in the richly colored rectilinear forms of this Daly City home. Incandescent, fiery reds compete with brilliant lime greens and deep blues for dominance, casting a delicate and dark mix of greens, browns, and reds over the lawn. (229K JPEG)
Dye transfer print: 13.5" wide by 19" high (image area)
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A Candy Cane Lane, Broadmoor CA ~ 2000
(Five prints left)
Multicolored lights dominate this festive scene, highlighted by a striped metallic candy cane. Lovely warm yellows and whites lend a homey air to the festivity of bright red and green decorations, accented by yellow and dark turquoise lamps, all set on a typically Californian dark green lawn. (258K JPEG)
Dye transfer print: 13.5" wide by 19" high (image area)
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Curtain of Lights, Daly City CA ~ 2000
(Four prints left)
Delicate curtains of rose, salmon, and powder blue lights hang from the windows while yellow-white icicle lights softly illuminate the dusky blue exterior of this home. A soft, cool feeling suffuses the composition, with a few spots of eye-popping red to liven up the night. (205K JPEG)
Dye transfer print: 18.5" wide by 9" high (image area)
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A Wild West Christmas, Broadmoor CA ~ 2000
(Four prints left)
An untraditional Christmas in a xericulture landscape of stone and cacti. Dark powder blues and muted greens, subtly and softly rendered, create this setting in which enthusiastically red and white decorations display brilliant strings of white and colored light. (262K JPEG)
Dye transfer print: 19" wide by 12"
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Christmas Greenery, Daly City CA ~ 2000
(Four prints left)
Rich dark green foliage gives a forest-like feel to this home's entryway, enhanced by sparkling white light, cool blues reminiscent of the sky, and hot reds that catch the eye. The shadows are filled with a soft green detail, nearly lost in the shadows of night. (291K JPEG)
Dye transfer print: 19" wide by 13" high (image area)
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THE FOLLOWING IS SOLD OUT
AS A DYE TRANSFER PRINT! 
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Eaves with Wreaths, Daly City CA ~ 1999
Light dominates this composition,as festoons of yellow-white lights make the pale pinks and delicate greens on this house glow with an internal luminescence. Fiery red lights and intense red and forest green wreaths create colorful counterpoints to the pastel paint. (393K JPEG)
Available as an Ultrachrome digital print
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Plate 1: Stream Bank near River Polly
(Two prints left)
This signature piece epitomizes the beauty of the Highlands. Grey and brown granite boulders, splashed with white and yellow lichen overlook a deep purple-blue stream. Emerald-green and yellow grasses and ferns provide a backdrop for hot pink heather blossoms. (247K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 3:Polly River at Inverpolly Forest
(Two prints left)
Under a grey highlands sky, the rolling and terraced terrain of the Inverpolly valley in verdant greens and delicate blues, with accents of orange and yellow and white. (236K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Plate 4: Rapids Running through Heather and Rock Slabs
(Three prints left)
Turbulent white, tan and dark blue waters tumble below grey-white layers of rock and the muted reds and dark greens of heather overgrowth. (200K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
(also available as an Ultrachrome print)
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Plate 5: Heather on Stones Near Armadale Burn
(Three prints left)
A band of nearly-fluorescent pink heather crosses the middle of this composition, separating the vivid yellow-orange and green ferns above from the somber tan rock and dark green brush below. (233K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
(also available as an Ultrachrome print)
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Plate 6: Stream Fan-Out at Base of Sgurr an Lochain
(Two prints left)
All about greens, the base of this stream is plush, velvety fabric of lemons, limes and emeralds, intense and vibrant. (193K JPEG)
Dye transfer print: 15" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Plate 7: Ruins at Torrisdale Bay
(Two prints left)
A pale sand beach and dusky blue sea and sky are the backdrop for brown stone ruins on fields of green and pale gold. (168K JPEG)
Dye transfer print: 19" wide by 12" high (image area)
(also available as an Ultrachrome print)
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Plate 8: Stand of Trees, N. Scotland Coast
(Eight prints left)
A nearly monochrome palette combined with a delicate, subdued landscape under a misty sky creates a distinctly oriental feel in this composition of smoky grays and soft greens. ((83K JPEG)
Dye transfer print: 19" wide by 8" high (image area)
(also available as an Ultrachrome print)
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Plate 10: Greenery on Wall above Rapids
(Three prints left)
An intricate mosaic of red, pink, green, brown and yellow foliage tiles a canvas of grey-white and black rock. (290K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 11: Collapsed Cottage on Isle of Skye
(Two prints left)
Stone ruins in hues of russet and brown complement natural white, grey and brown rock, overgrown with rich green foliage highlighted with red. (175K JPEG)
Dye transfer print: 15" wide by 16" high (image area)
(also available as an Ultrachrome print)
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Plate 12: Shoreline at Loch Cluanie
(Three prints left)
Strong, horizontal bands of color define this composition, with the deep blue of the water and pale tans of the shoreline rocks sandwiched between the vivid greens and cyans of the surrounding hills, accented with flecks of gold and magenta heather. (258K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 13: Clava Cairns and Cottage
(Five prints left)
Dark and mysterious, deep brown and green standing stones rise against a shadowy forest of blacks, greys, forest-greens and deep maroons. (144K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
(also available as an Ultrachrome print)
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Plate 14: Heather on Stone at Strath Vagastie
(Two prints left)
Beautifully textured lichen-covered granite, painted in soft blues, purples and lavenders, is the background for bright pink-white and deep forest-green heather. (280K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Plate 15: Castle Eilean Donan
(IMPORTANT: LAST PRINT LEFT!)
The late afternoon light warms the tan and russet stone of the castle. That complements the delicate bronze-greens and dusky cyans of the hills, as soft gray fog starts to roll in from the west. (177K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Plate 17: Clouds over Sgurr an Lochain
(Three prints left)
Billows of white and gray clouds in a chalk-blue sky flow over the deep blue peaks above rough hills awash with pale and fir greens and cyans. (204K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 18: Fields of Heather, East of Loch Ness
(Two prints left)
Vivid lime and blue-greens mix with wide bands of pink heather to coat the fields and hills with an almost-iridescent patina of subtle blends of color.(238K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 19: Stac Polly
(Four prints left)
Under a pale grey-blue sky, cool grey stone columns tower over a rubble-strewn slope of green grass and brown gullies. (213K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 20: Stream down Sgurr an Lochain
Vivid shades of lime, emerald and fir green form a velvety covering on rocky hills.(209K JPEG)
(Four prints left)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 21: Cliff off of A87 Near Loch Cluanie
(Three prints left)
Brilliant, white rapids tumble through cold and dark blue-grey waters. The lush landscape is subdued and chilly, rendered in deep cyans, blues and greens. (247K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
(also available as an Ultrachrome print)
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Plate 22: Rapids at Strath Vagastie
(Three prints left)
Brilliant, white rapids tumble through cold and dark blue-grey waters. The lush landscape is subdued and chilly, rendered in deep cyans, blues and greens. (242K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
(also available as an Ultrachrome print)
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Plate 23: Keyhole Cairn, Clava Cairns
(Five prints left)
A lichen-dappled gray and pale brown stone burial mound sits atop dark brown-green earth against a background of dark, smoky-green trees. (257K JPEG)
Dye transfer print: 19" wide by 11" high (image area)
(also available as an Ultrachrome print)
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Plate 24: Heather and Ferns Near Armadale Burn
(Five prints left)
A swath of heather, in nearly-fluorescent shades of pink and magenta, contrasts with vivid yellow-orange and green ferns above and with somber brown rock below. (286K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Plate 25: Cliff Face, Three Sisters, Glen Coe
(Six prints left)
Weathering creates fascinating textures and fissures in the slate blue-grey and black cliff, surrounded by verdant trees. Patches of heather and rowan berries provide magenta and red accents. (146K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
(also available as an Ultrachrome print)
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Plate 27: Lochanna H-Achlaise Shoreline
(Four prints left)
Pale powder- and sky-blues are reflected in the rippled waters of this small, exquisite lake. Green grasses surround the water while pink heather accents the grass and hills. (249K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print) |
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THE FOLLOWING ARE SOLD OUT
AS DYE TRANSFER PRINTS!
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Plate 2: Swamp with Lilypads near Loch Sionascag
This is what Monet would have painted had he visited the Highlands. Delicate greens, lime-yellow and tans play across pale blue water, surrounded by a deep and intense blue-green landscape, splashed with pastel pink heather and red rowan berries.(231K JPEG)
Epson Ultrachrome pigment print: 22" x 17"
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Plate 9: Necropolis Overlooking Glasgow
A dark gray and very ominous sky fills with clouds above the distant sunset over the city. The monuments of the Necropolis stand angularly as near-silhouettes in purple-blacks and browns on a dark green lawn. (186K JPEG)
Epson Ultrachrome pigment print: 22" x 17"
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Plate 16: Rowan and Birches, Glen Coe
Intense fiery-red clusters of rowan berries leap out against a background of saturated and muted greens, framed by the brilliant whites and charcoal grays of the birches. (284K JPEG)
Epson Ultrachrome pigment print: 22" x 17"
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Plate 26: St. Mungo's Cathedral, Glasgow
The black and brown stone that forms the walls and buttresses of the cathedral contrast with pale lime-green copper-clad roofs in this somber, angular composition. (143K JPEG)
(Epson Ultrachrome pigment print: 22" x 17")
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Green and Pink Curtains, Havre MT ~ 1986
(Two prints left)
Delicate auroral curtains painted in pale lavenders and lime greens glow in a starry sky over the Montana plains.
(213K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Auroral Streamers at Havre MT ~ 1986
(Four prints left)
Like some luminescent summer storm, pale green streaks of auroral light fill the skies over the lights of Havre, Montana, which tint the clouds with a sullen brown glow.
(229K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Mantle and Streamers over Havre MT ~ 1986
(IMPORTANT: LAST PRINT LEFT!)
An auroral mantle glows like mother-of-pearl in subtle oranges and yellows and greens over the city lights. Streaks of jade auroral light look like falling rain.
(213K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Green Auroral Curtain, Havre MT ~ 1986
(IMPORTANT: LAST PRINT LEFT!)
A deep green auroral curtain shimmers with fine folds, bends, and lines of yellow-white luminescence behind the telephone poles.
(197K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Rayed Auroral Band, Havre MT ~ 1986
(Two prints left)
A striped auroral curtain hangs in the sky behind the clouds, red-magenta streaks abruptly transitioning to cyan and turquoise.
(188K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Auroral Ribbon Behind Clouds, Havre MT ~ 1986
(Two prints left)
An incandescent river of light, brilliant with yellows and soft greens, appears to weave through the clouds in the starry skies above the telephone poles.
(221K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Auroral Streamers Through Clouds, Havre MT ~ 1986
(IMPORTANT: LAST PRINT LEFT!)
Orange, bronze, and lemon light seems to pour from the sky behind the clouds hovering over Havre, Montana.
(221K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Red and Green Auroral Rays, Havre MT ~ 1986
(IMPORTANT: LAST PRINT LEFT!)
This spectacular image is my personal favorite. It's an unbelievably striking photograph of the aurora borealis, with long red, purple, green and white curtains shooting behind cumulus clouds, above the telephone lines of the Montana plains. Astonishing colors in a soft, almost pointillistic vein. (74K JPEG)
Dye transfer print: 9" wide by 11" high (image area)
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THE FOLLOWING ARE SOLD OUT
AS DYE TRANSFER PRINTS!
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Available as an Ultrachrome digital print
Auroral Flames, Havre MT ~ 1986
Aurora flares to the sky like some ghostly fire, shaded with oranges, reds, and nacreous whites fringed with green.
(193KJPEG)
Available as an Ultrachrome digital print
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Green Auroral Band, Havre MT ~ 1986
An intense emerald and azure band of aurora is fringed with violets and reds in a starry sky.
(197K JPEG)
Available as an Ultrachrome digital print
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Auroral Band behind Phone Lines, Havre MT ~ 1986
A delicate curtain of light in oranges and pale soft greens hangs in a starry sky over the deep brown fields of Montana.
(118K JPEG)
Available as an Ultrachrome digital print
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Auroral Glow & Stratus Clouds, Havre MT ~ 1986
Auroral glow fills the sky with light, luminescent with pinks, yellows, and the most delicate greens, mixed with sweeping streaks of clouds.
(197K JPEG)
Available as an Ultrachrome digital print
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Astronomy and Meteorology
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Comet Halley Against Milky Way ~ 1986
Comet Halley glows in cool cyan, set against the backdrop of the Milky Way in the Sagittarius-Scorpio region of the sky. The Milky Way provides a stunning backdrop in smoky blues and browns, sparkling with the fiery nebulae and blue white diamondlike star clusters. The Galactic cente is shrouded in dust, near the upper left corner.
(459K JPEG)
Dye transfer print:
- 18" wide by 15" high (image area)(Four prints left)
- 11" wide by 9" high (image area)(Three prints left)
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Comet Halley ~ 1986
Comet Halley displays yellowish dust and blue ion tails that emerge from the turquoise coma. Faint red hydrogen nebulae color the star-dappled background of the Milky Way.
(479K JPEG)
Dye transfer print:
- 18" wide by 15" high (image area)(Three prints left)
- 11" wide by 9" high (image area)(Three prints left)
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Comet Hyakutake Inner Tail ~ March 29, 1996
(Three prints left)
Comet Hyakutake stretches across the frame, from its lovely green and cyan coma to its twin tails, one a very delicate and subtle dusty yellow and the other the cold icy blue of ions. The comet passed so close to Earth that even in this five-minute exposure it moved visibly against the fixed background of the stars, which show slight streaks as a result.
(197K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Comet Hyakutake Coma, Brooks CA ~ 1996
(Four prints left)
The copper-green glow of the comet's distinctive wedge-shaped white coma contrasts with the warm hues of the inner tail trailing behind. Orange, white and yellow stars dapple the dusky background and shine through the tenuous tail in this pointillistic photograph. (125K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Comet Hyakutake, March 29 ~ 1996
(Three prints left)
The comet's tenuous yellow and blue tail stretches across this wide-field view of the pre-dawn sky. The comet's green and white head contrasts with the dim orange glow on the horizon and the thousands of stars that fill the sky. (149K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Moon, Mars & Circumlunar Arcs, Anchor Bay, CA ~ 1995
Cool grays, blacks and delicate rainbow colors that tinge the circumlunar arcs hanging above ruddy Mars in a starry sky. The full moon casts its intense and pearly glow behind almost-silhouetted pine trees. (118K JPEG)
Dye transfer print:
- 19" wide by 15" high (image area) (IMPORTANT: LAST PRINT LEFT!)
- 10" wide by 8" high (image area) (Six prints left)
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Moonrise at Dawn over Haleakala, Maui ~ 1986
(Two prints left)
Photographed from the summit of Haleakala, a very thin crescent moon hangs in a brilliant blue dawn sky, just above the wisps of pale yellow fog, all above a purple and blue cloud deck. A very popular image. (111K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Baily's Beads & Chromosphere, Cabo Pulmo Mexico ~ 1991
(Two prints left)
The very last moments of the solar eclipse of 1991. The sun is just reappearing around the edge of the moon; a bit of a magenta-hued prominence can be seen hanging above the rim. Off to the sides, the cherry-red chromosphere still glows, not yet obscured by the rapidly increasing glare of the sun.
(209K JPEG)
Dye transfer print: 18.5" wide by 14.5" high (image area)
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Total Eclipse Coronal Streamers, Cabo Pulmo Mexico ~ 1991
(Two prints left)
This is an exceptionally fine image of a solar eclipse. Set in a dusky and dark blue sky, the full extent of the corona is visible out to four or more solar radii. The delicate nature of the corona is preserved in the fine inner detail, all the way in to the pale pink prominences just barely visible near the silhouette of the moon. This screen image cannot convey the fine tracery in the corona and subtle detail present in the real print. (111K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Sun Setting under Blue Arcs, Herring Cove Beach MA ~ 2004
(IMPORTANT: LAST PRINT LEFT!)
It was an intense and amazing sunset. I exaggerate nothing in this print. If anything, it only can approach the deep, rich blues, reds, and oranges of the real scene. The kind of photograph dye transfer printing was made for, conveying that hyperreal quality of reality. (195K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Contrail and Cloud Arcs, Herring Cove Beach MA ~ 2004
(Three prints left)
Post-sunset, the most delicate blues, indigos, and violets suffused the sky. The various hues form a contrasting background for the still-sunlit, slightly-rosy clouds. (165K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Fiery Clouds and Blue Arcs, Herring Cove Beach MA ~ 2004
(Two prints left)
A flaming sunset in a dark blue sky burns with saturated reds and oranges, molten golds, and incandescent yellows. This most vivid print does not at all exaggerate the intensity of tone and color in the original scene.
(217K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Red Rainbow, OR ~ 1977
(Five prints left)
Only minutes before sunset, the rays of the sun are filtered ruddy by their long passage through the atmosphere to create this delicate golden red and yellow rainbow. It hangs suspended in a pink-dappled sky and is reflected in the soft gray greens of the pond, surrounded by the subtle forest greens of this restful landscape.
(201K JPEG)
Dye transfer print: 18.5" wide by 14" high (image area)
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Forest Fire Smoke, Julian CA ~ 1990
(IMPORTANT: LAST PRINT LEFT!)
This is not some "special effect" created on film or in the darkroom-- it's real. The great forest fires in Southern California create a deep grey-brown layer of smoke high in the pale blue sky that hangs over the darkly-shadowed hills. The smoke filters the sunlight into rich golden-yellow hues reminiscent of Renaissance paintings. The fine overall grain texture contributes to the painterly effect. (102K JPEG)
Dye transfer print: 19" wide by 12.5" high (image area)
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Rainbow over Buttes, AZ ~ 1978
(Two prints left)
Late afternoon rainstorms in Arizona clear near sunset, allowing the sun to cast the buttes in rich chocolate tones under a sky suffused with pale violets, fiery oranges, and a lovely, warm-hued rainbow that arcs down from the heights.
(164K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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THE FOLLOWING ARE SOLD OUT
AS DYE TRANSFER PRINTS!
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Diamond Ring, Yakima WA ~ 1979
Enough of the sun peeks around the edge of the moon at the end of the 1979 total solar eclipse to illuminate the surrounding clouds. The wonderful refractive rainbow pattern is dominated by blues, yellows, and pinks with hints of greens and oranges. The inner corona is still visible around the edge of the sun; the sky hasn't yet brightened enough to completely wipe it out.
(250K JPEG)
Available as an Ultrachrome digital print
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Inner Corona and Prominences, Cabo Pulmo Mexico ~ 1991
Blue white wisps of corona fan out like delicate petals around the black disk of the obscuring moon. Pink-white prominences hang above the solar surface, delicately painted against the arching coronal plumes.
(86K JPEG)
Available as an Ultrachrome digital print
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Prominences and Chromosphere, Cabo Pulmo Mexico ~ 1991
A striking “horse-head” prominence rears up from the surface of the sun in glorious magenta splendor, while small wicks of magenta flame issue on the opposite rim. The prominences stand against the backdrop of the cool blues of the inner solar corona, while bits of the cherry-colored chromosphere peak around the edge of the moon.
(82K JPEG)
Available as an Ultrachrome digital print
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Two Clouds Over Butte, Arizona ~ 1978
Photographed just after sunset, this image shows brooding storm clouds catching the last bit of direct sun above a dark, shadowy butte. Predominant colors are cold blues and deep browns, with bright orange-pink clouds. (163K JPEG)
Available as an Ultrachrome digital print
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F-1 Rocket Engine Nozzle, Cape Canaveral ~ 1975
(Two prints left)
Light and dark browns dominate this view of the interior of the bell of an F-1 rocket engine, striped by thousands of cooling pipes. A visual exercise in linear and circular geometries, combining subtle variations in color with intricate patterns. (168K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Saturn V Engine Cluster, Cape Canaveral FL ~ 1975
(IMPORTANT: LAST PRINT LEFT!)
Hard-edged geometries in whites, grays, browns, and blacks provide a stark contrast to a deep blue sky in this paean to industrial metal. (156K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Apollo 17 Contrail, Cape Canaveral ~ 1972
(IMPORTANT: LAST PRINT LEFT!)
A pointillistic interpretation of the flight of Apollo 17. As the Saturn V nears first-stage burnout, miles downrange, it looks like a fiery comet in the night sky, with a pure white head of flame surrounded by a brilliant-red halo. The flame trails a turbulent, expanding tail of delicate purples, yellows and golds, and deep browns and oranges. (109K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
(also available as an Ultrachrome print)
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STS 1 in Desert Mirage, Edwards AFB CA ~ 1981
(Three prints left)
Heat ripples rising in the desert air turn the shuttle into an impressionistic painting in fine brush strokes. The white and black shuttle and its white, yellow, and red support vehicles seem to float in the dusty subtle blue "waters" of the desert mirage that mirrors the vehicles. The intense tones and hard edges of the shuttle and vehicles contrast with the soft and dusty desert background. (208K JPEG)
Dye transfer print: 19" wide by 9" high (image area)
(also available as an Ultrachrome print)
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STS 1 Landing Glide, Edwards AFB CA ~ 1981
(Two prints left)
The space shuttle Columbia and its chase plane, nearly pure white and pure black, pass overhead in a deep cobalt-blue sky, as the first space shuttle prepares for landing. (115K JPEG)
Dye transfer print: 14" wide by 9.5" high (image area)
(also available as an Ultrachrome print)
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Spacelab Cradle, Kennedy Space Center FL ~ 1981
(Two prints left)
Strong horizontal and diagonal lines and myriad multi-hued variations on yellow dominate this composition. The intense yellows and deep blues of the spacelab facility contrast with the pale greens and grays of the surrounding walls. (242K JPEG)
Dye transfer print: 15" wide by 18" high (image area)
(also available as an Ultrachrome print)
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SR-71 Air Inlets, Museum of Flight, Seattle WA ~ 1992
(IMPORTANT: LAST PRINT LEFT!)
A companion piece to "SR-71 Fuel Lines," which was part of the original Gallery postings. Burnished titanium sheets almost glow in soft grays with delicate shadings of yellow, pink, and green reflected light. Rivets and hard panel edges add strong compositional elements to a muted, almost restful composition. (123K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Columbia in Late Afternoon, Kennedy Space Center FL ~ 1981
(Four prints left)
A gold sun peeks through broad sweeps of salmon-pink cumulus clouds in a bright yellow-orange sky, sending rays of pink light towards the horizon. A soft gray shuttle and deep gray launch complex stand darkly against this brightly-lit and colored backdrop. (157K JPEG)
Dye transfer print: 19" wide by 12" high (image area)
(also available as an Ultrachrome print)
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Colby Crane, Vehicle Assembly Bldg, Cape Canaveral FL ~ 1972
(IMPORTANT: LAST PRINT LEFT!)
Criss-crossing beams and girders fill this composition with olive green and brown diagonals. The traveling crane in the foreground mirrors the geometry of the girders at the same time that its intense orange-yellow hues stand in contrast to them. (275K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Shuttle Booster Tie-Down Posts, Cape Canaveral FL ~ 1981
(Three prints left)
Smooth, battleship-gray and brown steel plate and white railings contrast with a cobalt sky and pale blue clouds. Complex shadows wash over the panels in this view of the underside of the launch pad. (102K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print)
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Vehicle Assembly Building Low Bay, Cape Canaveral ~ 1972
(Two prints left)
Bright lights and spots of color fill the interior of this complex composition. Yellows, oranges, and greens predominate, with splashes of deep blue, intense red, and hot pink. White light washes down from the tall windows at the end of the bay, highlighting massive girders and panels. (248K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
(also available as an Ultrachrome print) |
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Floodlight Beams over Cape Canaveral ~ 1975
Photographed the night before the launch of the Apollo-Soyuz mission, this photograph shows the floodlight beams from the lights used to illuminate the launch pad. The beams pass overhead; as they enter the clear air over the ocean, they seem to cut off in mid-space. A dark image in very deep blues verging on, but never quite reaching, black. (84K JPEG)
Dye transfer print: 10" x 8" (image area) (Three dye transfer prints left), 19" x 15" (image area) (ONE dye transfer print left!)
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THE FOLLOWING ARE SOLD OUT AS DYE TRANSFER PRINTS!
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Apollo 17 at Dawn, Cape Canaveral ~ 1972
Before sunrise the sky glows olive and orange and the clouds gray and fiery red behind the floodlit white and black Saturn V that carries the Apollo 17 spacecraft. (127K JPEG)
Available as an Ultrachrome digital print
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Apollo 17 Sunrise, Cape Canaveral ~ 1972
Sunrise behind a nearly-silhouetted Apollo 17 shows a giant white sun rising behind banks of rich sienna and golden orange-yellow clouds, as a helicopter flies above. A visual poem in microtones of yellows. (138K JPEG)
Available as an Ultrachrome digital print
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Apollo 17 Ignition, Cape Canaveral ~ 1972
The Saturn V engines turn the sky deep orange and illuminate the rocket with a brilliant yellow light. Billowing clouds of smoke and steam run from incandescent white through yellow and orange to rich browns. (118K JPEG)
Available as an Ultrachrome digital print
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Apollo 17 Liftoff, Cape Canaveral ~ 1972
Colors deepen and become more intense as the rocket lifts off on a pillar of white flame, surrounded by bright yellow-orange clouds, as red and orange light fills the atmosphere. (125K JPEG)
Available as an Ultrachrome digital print
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Apollo-Soyuz in Floodlights, Cape Canaveral ~ 1975
The Apollo-Soyuz Saturn rocket and its launch pad shine with ghostly brilliance in the floodlights. They stand against a deep blue-black sky, crisscrossed by deep indigo floodlight beams, while the reds, yellows, and turquoises of the launch complex and its lights are reflected in the lagoon in the foreground.
(172K JPEG)
Available as an Ultrachrome digital print
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Midnight at the VAB, Cape Canaveral FL ~ 1981
I made this image of the Vehicle Assembly Building the night before the first shuttle launch. The deep green of the mercury floodlights contrasts with the yellows and oranges of the sodium and incandescent lamps, which are also reflected darkly in the yellowish sky. The "small" palm trees at the base of the VAB give a hint of its enormous size. (172K JPEG)
Available as an Ultrachrome digital print
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Sunset Under Columbia, Cape Canaveral ~ 1981
A golden sun sets through red clouds behind the launch complex for the first shuttle mission. Salmon light permeates the sky and clouds, providing a peaceful backdrop to the soft grays and pale whites of the shuttle and its launch complex. (199K JPEG)
Available as an Ultrachrome digital print
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Floodlit Columbia, Cape Canaveral ~ 1981
The Columbia, illuminated by floodlights at night, glows like some homage to the Taj Mahal. Almost ghostly pale in its brilliance, in contrast to the dark reds, blues and greens of the support structures. Blue-white floodlight beams fan out diagonally to illuminate the shuttle and fill the sky with deep blue spreading rays of light. (188K JPEG)
Available as an Ultrachrome digital print
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Apollo-Soyuz at Dusk, Cape Canaveral FL ~ 1975
This image shows the floodlit launch complex in stark relief in shades of red, white, grey, yellow and electric green. The backdrop for this is a soft, dark grey-purple sky with clouds. (253K JPEG)
Available as an Ultrachrome digital print |
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Apollo-Soyuz Gantry Rollback, Cape Canaveral FL ~ 1975
As the dark purple- and green-lit gantry rolls away, the white and black Saturn I perches on its gray "stool" and launch pad, accompanied by the bright red service structure. Below a deep blue-black night sky, foreground waters reflect the yellow, green and lilac hues of lights illuminating the launch complex. (135K JPEG)
Available as an Ultrachrome digital print
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Assembly Bay and Gantry, Cape Canaveral ~ 1975
This is one of my most popular images. It shows a Saturn assembly area inside the Vehicle Assembly Building, looking almost straight up. The brilliant, strikingly-surreal colors are a combination of the bright color scheme in which the equipment is painted and at least four different kinds of lighting in the building. (300K JPEG)
Available as an Ultrachrome digital print
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Purple Gantry, Cape Canaveral ~ 1972
Floodlights illuminating Apollo 17 (off-camera left) fill the sky with radiating rays of pale light in purples, blues, and dusky reds. The illuminated gantry glows incandescent in yellows, oranges, and hot reds, all gracefully reflected in the waters spread below the gantry and sky to give this photograph a painterly quality. (181K JPEG)
Available as an Ultrachrome digital print
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Saturn V Assembly Well, Cape Canaveral ~ 1972
Resembling some abstract geometric construction, this photograph taken straight up into an unoccupied Saturn V assembly bay is composed of concentric, receding circles criss-crossed by strong diagonal structural beams. Red is its single color, accented by blacks, whites, and bands of intense shadow. (236K JPEG)
Available as an Ultrachrome digital print
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STS #1 Liftoff: T+8 Seconds, Cape Canaveral ~ 1981
Haze softens the early morning sky of the first shuttle launch, reducing the landscape to muted cool tones and colors. As Columbia clears the tower on a brilliant white and yellow flame, billowing clouds of steam and smoke are tinged with subdued yellows, salmons, pinks, and blues, as if illuminated by sunrise. The dusky blue-gray sky and the multi-hued clouds and flame are reflected in the waters below. (116K JPEG)
Available as an Ultrachrome digital print
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SR-71 Engine Fuel Lines, Museum of Flight, Seattle WA ~ 1992
Looking like a cross between a 1930's locomotive engine and a painting by H.R. Giger, this image of the side of an SR-71 jet engine is rendered in golds, bronzes and dark sooty greys. (99K JPEG)
Available as an Ultrachrome digital print
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Columbia at Dusk, Cape Canaveral ~ 1981
The first space shuttle glows a cold, brilliant white in the light of the floodlights, set against the spectacular backdrop of a dusky blue sky and fiery red clouds. (182K JPEG)
Available as an Ultrachrome digital print
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Columbia & Rotating Service Structure, Cape Canaveral ~ 1981
Another night photograph of the first space shuttle, with Columbia gleaming brilliant white in a cool slate-gray and green launch complex. Pinpoint yellow lights and red and yellow structural elements against a deep black sky lend color to a largely neutral palette. (215K JPEG)
Available as an Ultrachrome digital print
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Crater Lake Rim, OR ~ 1990
(Two prints left)
The softly polychrome slopes of the crater walls, blue, green, and purple-brown, arc around the deep blue lake. (229K JPEG)
Dye transfer print: 7" x 7" (image area)
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Lava Buttes, Craters of the Moon ID ~ 1984
(One print left)
A blue sky and fluffy clouds contrast with the angular and rusty brown-black cones rising from lava fields. (331K JPEG)
Dye transfer print: 8.5" x 6.5" (image area)
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Mt. Shasta as Kilimanjaro, CA ~ 1991
(One print left)
A diaphanous blue Shasta rises out of the mist in the distance, floating over brown grasses and deep green shrubs. (416K JPEG)
Dye transfer print: 9.5" x 6.5" (image area)
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Spirit Lake and Mud Flats, WA ~ 1990
(Two prints left)
Stygian mud and debris flows from the Mt. St. Helens eruption surround Spirit Lake. (300K JPEG)
Dye transfer print: 9" x 6.5" (image area)
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Spirit Lake in Late Afternoon Sun, WA ~ 1990
(Two prints left)
Charcoal flats and scorched treek trunks show patches of scattered greenery, as the indigo of Spirit Lake reflects the sun under a hazy powder-blue sky. (485K JPEG)
Dye transfer print: 9" x 7" (image area)
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Stand of Stripped Trees, Mt. St. Helens WA ~ 1990
(Two prints left)
Desolate brown and black trees stand, dead and bare skeletons, in front of a ghostlike Mt. St. Helens, rendered in the palest blues and whites.
(238K JPEG)
Dye transfer print: 19" wide by 7" high (image area)
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Meteor Crater Rim, AZ ~ 1994
(Three prints left)
An uncommon view of the famous Barringer Meteor Crater, showing rolling waves of broken strata thrown up on the rim of the crater in hues of tan, yellow and umber under an intensely dark-blue, nearly cloudless sky. (163K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Wizard Island and Pine Tree, Crater Lake OR ~ 1990
(Three prints left)
A passing thunderstorm casts deep shadows and a clear, luminous glow over Crater Lake. The palate is deep subtle blues, grays, and tans. Just a touch of a rainbow floats above the crater wall. (99K JPEG)
Dye transfer print: 19" wide by 6" high (image area)
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Northern Shore, Crater Lake OR ~ 1990
The southern expanse of Crater Lake, with Wizard Island almost shrouded in shadow. Gray-blues and tans and muted, subtle greens dominate this moody photograph. (84K JPEG)
(Four prints left)
Dye transfer print: 19" wide by 6.5" high (image area)
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Late Afternoon at Mt. St. Helens WA ~ 1990
(Three prints left)
A hazy, white plume of smoke wafts away from Mt. St. Helen's crater. A largely barren, creased and creviced landscape in deep browns and yellows under a hazy blue sky. (94K JPEG)
Dye transfer print: 19" wide by 6.5" high (image area)
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Mt. St. Helens at Dusk ~ 1984
(IMPORTANT: LAST PRINT LEFT!)
Sunset casts its last light on Mt. St. Helens, as clouds streak the sky and steam puffs from the snow-covered crater. Where the sun hits the snow, steam and clouds it the imbues them with salmon, pink and orange light. The sky and the shadowed landscape hold dark, cold blues and purples. (165K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Crater Lake Shoreline, OR ~ 1990
(Four prints left)
After a passing storm, the walls of Crater Late reveal a remarkable range of subtle colors--greens, reds, and tans, along with the expected grays and blacks. The slopes are dotted with deep green trees and brush, overlooking a slate-blue lake. A low-key and peaceful scene. (146K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Cinder Cone, Haleakala Crater, Maui ~ 1986
(Three prints left)
This is one of the many cinder cones which dot the huge caldera of Haleakala. Greys predominate, with streaks of rusty orange dappling the slopes of the cone. In the foreground, the eroded rim of the caldera stands in highlit tan and green contrast to the soft tones of the cinder cone. I made this image the same day I made "Moonrise over Haleakala." It was a *good* morning. (205K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Fresh Pahoehoe Flowing from Lava Tube, Volcanoes National Park HI -- 2002
(Four prints left)
Glowing blobs of engine-red and fiery-orange lava ooze out of charcoal gray and soot-black folds in pahoehoe. (191K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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New Pahoehoe Flowing over Old, Volcanoes National Park HI -- 2002
(Four prints left)
A foreboding landscape under a dark gray sky, as fresh charcoal gray pahoehoe covers older black flows. Glowing red, orange and yellow lava seeps through numerous cracks in the new flows, looking like so many glowering demonic eyes. (197K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Fresh Pahoehoe, Mothers Day Flow HI -- 2002
(Three prints left)
A tongue of bright cherry-red lava seeps from under sparkling black and white crust. A brilliantly textured and detailed scene, with filaments of orange-gray new crust solidifying on the tongue. (231K JPEG)
Dye transfer print: 10" wide by 8" high (image area)
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Mothers Day Flow to the Sea, Volcanoes National Park HI -- 2002
(Three prints left)
On a moonlit night, a dark blue-gray sky and clouds overlook a river of red and yellow sparkles and glowing clouds, as the lava flows to the sea. (88K JPEG)
Dye transfer print: 19" wide by 10" high (image area)
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Mt. Adams from Windy Ridge, Mt. St. Helens WA ~ 1990
(Three prints left)
Barely ten years after the eruption, purple lupine and green scrub begin to grow in a sear tan and gray landscape, with a cool blue-white Mt. Adams hovering in the background.
(225K JPEG)
Dye transfer print: 19" wide by 6"
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Shattered Tree Trunks at Mt. St. Helens WA ~ 1990
(Four prints left)
A steamy Mt. St. Helens looms over an eroded brown and green landscape, littered with the pale bare trunks of the trees felled by the monumental explosion.
(250K JPEG)
Dye transfer print: 19" wide by 8" high (image area)
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Spirit Lake and Mt. St. Helens WA ~ 1990
(Two prints left)
Cold, blue-grey Spirit Lake catches the sun in the midst of a log-littered landscape painted in tans, dark browns, and siennas. Scattered new growth offers small accents in dark greens in this otherwise foreboding landscape.
(201K JPEG)
Dye transfer print: 19" wide by 6.5" high (image area)
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THE FOLLOWING ARE SOLD OUT
AS DYE TRANSFER PRINTS!
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Available as an Ultrachrome digital print
Wizard Island, Crater Lake OR ~ 1978
Crater Lake after sunset looks as coldly blue and icy as its snowy banks. The lake reflects the delicate pink sky of dusk in shades of lavender.
(319K JPEG)
After sunset hints of subtle pink and gray in the sky contrast with the deep blues and purples that suffuse Crater Lake, its trees, and Wizard Island. Snow streaking the crater walls and the island picks up the light, pale blue of the sky. (182K JPEG)
Available as an Ultrachrome digital print
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Lava under Forest Fire Smoke, Volcanoes National Park HI -- 2002
Smoke from fires turns the sky salmon, orange, and golden, casting a ruddy sulphurous light over the new black lava fields, as hot, crimson lava seeps from cracks in the crust. (143K JPEG)
Available as an Ultrachrome digital print
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Mt. St. Helens Rim with Hikers, WA ~ 1993
An almost-monochrome view of the snowy rim of Mt. St. Helens, plus a few hikers. Bright ski trails zig-zag down steep slopes. Intricately-textured dark gray and brown ash deposits show through onion-like layers of pale gray and white snow, contrasting with the bluish, shadowed lava dome in the background. (151K JPEG)
Available as an Ultrachrome digital print
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Cinder Cone North Trail, Lassen Volcanic Park CA ~ 1985
A brilliant image in whites, blues and soot-greys of a snow-covered cinder cone. The sun shining off the textured snow makes it look like hammered metal, in a nice contrast to the wispy cirrus clouds. (206K JPEG)
I climbed that trail to the top of the cone to photograph "Painted Dunes and Fantastic Lava Beds".
Available as an Ultrachrome digital print
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Badlands Gullies, SD ~ 1984
(One print left)
Tans and yellows paint a composition in soft strata and harsh shadows. (478K JPEG)
Dye transfer print: 9.5" x 7.5" (image area)
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Cross-Bedded Sandstone Slabs and Shale, Toadstool Park NB ~ 2000
(Five prints left)
Ash-colored gray-white sandstone slabs tumble across the eroded landscape like foam tossed on the waves, under a dusky deep blue desert sky. (340K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Pitted Rocks with Algae, Pescadero State Beach CA ~ 1988
(Three prints left)
Electric-green algae takes hold on iron-bearing cliffs, eroded into streaks of brilliant orange, persimmon, and yellow. (426K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Blue Mesa, Painted Desert National Park AZ ~ 1978
(Two prints left)
Cool-hued purplish strata give the Blue Mesa region of the Painted Desert its name. Ashy grays and tans define the rest of the landscape under a dark blue and dusty desert sky. (369K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Fissured Cross-Bedded Sandstone Cliff, AZ ~ 1978
(Two prints left)
Complex patterns of erosion, cracking, and bedding produce the hard, deep shadows that give these cliffs the look of some ancient, intricately-scribed manuscript. Delicate desert tones of brown gray, and soft muted green color the landscape.(422K JPEG)
Dye transfer print: 19" wide by 14.5" high (image area)
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Malachite and Azurite Block, American Museum of Natural History NYC ~ 1999
(Three prints left)
A massive block of malachite and azurite looks like a false-color reconnaissance photograph from space, with its intricate folded whorls and patterns in white, green, turquoise, lapis-blue, and rusty orange. (311K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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San Rafael Swell Strata, Utah ~ 1980
(Three prints left)
At dusk, the San Rafael Swell takes on delicate shades of pinks, browns, and salmons. A complementary sky in shades of dusky rose and powder blue hangs low with layered clouds in a peaceful and serene composition. (324K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Petrified Forest Ravine, AZ ~ 1978
(Four prints left)
The eroded landscape of the Petrified Forest is awash with subtle blues, violets, and oranges, accented by the dusky green scrub and the bronze hues of petrified wood logs.
(438K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Canyon de Chelly Plateau at Sunset ~ 1978
(IMPORTANT: LAST PRINT LEFT!)
Canyon de Chelley glows at sunset. The grazing sunlight tints the landscape brilliant purples, reds, and oranges, set under a clear blue sky.
(332K JPEG)
Dye transfer print: 19" wide by 13" high (image area)
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Lehmann Caves Stalactites & Stalagmites, Great Basin National Park ~ 1988
(Six prints left)
Stalactites and stalagmites shine like sculptures in bronze, weathered to a fine patina with hints of gold and green.
(340K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Lehmann Caves: Bat's View, Great Basin National Park ~ 1988
(Two prints left)
This delicate but dramatic photograph shows what the eye cannot see. The cave is dimly lit by yellow lights and looks nearly monochrome to the naked eye. Skilled photography and printing restores the subtle greys, tans and oranges of the flow rock and myriad spindly stalactites and stalagmites. (205K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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John Day Fossil Beds National Monument, OR ~ 1990
The rusty browns, yellows, and brick-reds of these stony columns remind one of ancient castle ramparts. Gray-green scrub in the foreground and the desert's dark blue sky and brilliant white and grey clouds provide chromatic and textural contrast.
(254K JPEG)
Dye transfer print: 19" wide by 6.5" high (image area)
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Promontory, Painted Desert National Park AZ ~ 1978
(Three prints left)
Overlooking the Painted Desert, this cross-bedded sandstone outcrop shines in the midday desert sun with delicate hues of greys, tans, and browns. Bits of yellow-green and gray scrub provide an accent to the ruddy landscape in the background.
(422K JPEG)
Dye transfer print: 18" wide by 15" high (image area)
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THE FOLLOWING IS SOLD OUT
AS A DYE TRANSFER PRINT!
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Rock Falls, Grand Canyon of the Yellowstone ~ 1984
This wonderfully subtle image, reminiscent of a Chinese brush painting, could only have been made in dye transfer. Tans, yellows, umbers and greys paint the rocky slopes, dotted by dark green pine trees. Another of my favorites and popular with viewers. (170K JPEG)
Available as an Ultrachrome digital print
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Houseboats, Lake Shasta CA ~ 1991
(Three prints left)
Layered brown hills topped by fir-green forests flank the pale azure waters of a drought-diminished Lake Shasta (360K JPEG)
Dye transfer print: 9" x 6.5" (image area)
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Cumulus Clouds over Cirrus Mountain, Alberta, Canada ~ 2005
(Four prints left)
Arctic blues and whites predominate and contrast with the craggy brown-black rock outcrops. The conjunction of names reflects the conjunction of textures. (274K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Cumulus Rising Behind Athabasca Glacier, Alberta, Canada ~ 2005
(Three prints left)
Icy clouds sweep over an icy landscape, dappled in shades of ice (of course!) blue and the palest of browns. (205K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Lake Louise Shoreline, Canada ~ 2005
(Three prints left)
A study in greens, Lake Louise almost glowed with milky jade light, below a mountainside of verdant meadows dappled with dark firs. Distant, hazy blue slopes set off the dominant colors. (200K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Behind Frozen Minnehaha Falls, MN ~ 2005
(IMPORTANT: LAST PRINT LEFT!)
Light shining through the rippled curtains of the frozen falls takes on hues of jade, turquoise, and deep blue.(101K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Breaking Wake, Cape Cod MA ~ 2004
(IMPORTANT: LAST PRINT LEFT!)
The chilly Atlantic waters off the Cape break into wind-blown spray in the boat's wake. Blurs and whites dominate this composition. (302K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Monterey Bay Aquarium Kelp Tank, CA ~ 1990
(Three prints left)
Kelp catches the rays of sun at the Monterey Bay Aquarium. As the light filters through the water, it becomes progressively bluer, painting the kelp in a subdued rainbow of colors with browns and oranges near the surface and deep greens, cyans and blues in the depths. (303K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Kelp Forest, Monterey Bay Aquarium CA ~ 1990
(Three prints left)
This impressionistic view of a kelp forest is awash with light in pale yellows and greens, delicate powder blues, and sheer whites. The water filtering the columns of warm sunlight lends dark jade hues to the shaded kelp. (389K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Minnehaha Falls Overlook, Minneapolis MN ~ 1991
(Three prints left)
The falls are seen from a site overhanging the torrent. The rushing, swirling blue-grey water and white foam stand in marked contrast to the static, finely-detailed and delicate tree branches and vivid green leaves. (195K JPEG)
The accompanying JPEG enlarges a small section of this photograph to show the level of fine detail in the original print. (149K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Rushes and Lily Pads, N. Ontario ~ 1980
(Two prints left)
Like "Grand Canyon of the Yellowstone", this image has a restful Oriental feel to it, but the lighting and color are more dramatic. Reeds are brilliantly lit by setting yellow sunlight in a pond filled with dark green lily pads and cold, dark-blue water. (152K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Sunset Light on Sandstone Bridge and Surf, Laguna Beach CA ~ 1990
(Four prints left)
Dark ice-blue surf rolls over dark blue sand, reflecting the orange glow lighting the sandstone outcrops and the pink-highlit lacy spray that tops the waves. (203K JPEG)
Dye transfer print: 19" wide by 12.5" high (image area)
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Theodore Roosevelt Lake, AZ ~ 1978
(Two prints left)
Muted, pale blue and brown tones of sky and distant hills are reflected in the still waters of the reservoir. Wisps of summer rain evaporate in the hot desert air. (147K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Bonneville Salt Flats after Rainstorm, UT ~ 1982
(IMPORTANT: LAST PRINT LEFT!)
A thin sheen of rain dissolves the surface of the salt flats into a mirrorlike plane that reflects the dawn sun and clouds in delicate detail. A rendering in slate blues and grays, yellows, and deep oranges and subtle browns. (180K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Clouds Approaching Ptown, Cape Cod MA ~ 2004
(Three prints left)
As a front moves towards Provincetown, it splits the sky and the sea into intense blues and soft whites in a complementary pattern, the yin and yang of Cape weather. (283K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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THE FOLLOWING ARE SOLD OUT
AS DYE TRANSFER PRINTS!
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Burney Creek Below Burney Falls, Shasta County CA ~ 1985
Yellow and green autumn grasses mirror the sweep and form of the deep blue and white rapids as they tumble over the dark brown rocks. This image conveys a strong sense of horizontal movement. (222K JPEG)
Available as an Ultrachrome digital print
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Fence at Marconi Beach, Cape Cod MA ~ 2004
The beautiful late-afternoon "cape light" suffuses this photograph with delicate shades of blue, azure, tan, and gold. This looks the way it felt for me to be there. (279K JPEG)
Available as an Ultrachrome digital print
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Niagara Falls ~ 2003
An aetherial falls seems to be suspended between sprays of mist and clouds, in delicate shades of cyan. (114K JPEG)
Available as an Ultrachrome digital print
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Smiley Seal, Steinhart Aquarium, S.F. ~ 1980
A floating, friendly visitor, the seal's forehead is illuminated by just a bit of warm light that contrasts with the cool greens and cyans of the watery world in which it dwells.
(258K JPEG)
Available as an Ultrachrome digital print
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Heceta Head Light House, OR ~ 1992
This lighthouse is reputed to be the most-photographed in the world, but the beacon's reflection in the twilight waves has never been rendered this finely. Warm and cold deep blues dominate the scene, accentuating the warm yellowish glow of the light. Deep in the shadows, you will see the surf breaking over the shoreline rocks and beach. (158K JPEG)
Available as an Ultrachrome digital print
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Crepuscular Rays, Clear Lake CA ~ 1992
Pink crepuscular rays streak a sunset sky that varies from purple and deep royal blue through cyan to hot orange, striped with glowing fiery clouds (the screen image doesn't do this one justice). The sky is mirrored in the waters of the lake, transformed into a pattern of delicate multicolored ripples. (167K JPEG)
Available as an Ultrachrome digital print
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Lake Shasta and Mount Lassen, CA ~ 1991
An extraordinarily clear day at Lake Shasta, when the water levels were extraordinarily low, revealed glowing orange, brown, and tan bands on the banks of the reservoir. The water reflected a near-indigo sky in contrast with dusty cyan light near the horizon, whose color suffuses Mount Lassen in the distance. Green forest completes the pallete of rich colors in this photograph.
(422K JPEG)
Available as an Ultrachrome digital print
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Three Trees off I-5, Shasta County CA ~ 1991
(One print left)
Contrasting bands of texture and color in green, brown, yellow, and deep soft blues provide the setting for stark and dark bare trees. (390K JPEG)
Dye transfer print: 10" x 8" (image area)
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Cormorants at the Cannery, Monterey CA ~ 1990
(Three prints left)
A rotting pier in deepest indigos supports rusted steel blue-grey walls. (306K JPEG)
Dye transfer print: 9.5" x 7.5" (image area)
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Poppies and Burnt Trees, Oakland CA ~ 1992
(Two prints left)
Orange California Poppies and deep-green grass sprout on the slopes, new growth coming alive amidst bare, burnt concrete foundations and skeletal charcoal-blackened trees (560K JPEG)
Dye transfer print: 8.5" x 6.5" (image area)
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Houseboats, Lake Shasta CA ~ 1991
(Three prints left)
Layered brown hills topped by fir-green forests flank the pale azure waters of a drought-diminished Lake Shasta (360K JPEG)
Dye transfer print: 9" x 6.5" (image area)
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Obelisk, Mission Dolores, S.F. CA ~ 1992
(Two prints left)
The cool tones of the shadows and stone contrast with lush, warm-green foliage. (515K JPEG)
Dye transfer print: 8.5" x 7" (image area)
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Barosaurus, American Museum of Natural History NYC ~ 1999
(Two prints left)
The blue-black neck vertebrae of the Barosaurus are in organic concert with the accompanying columns but distinct contrast with the coldly geometric coppery tones of the vaulted ceiling of the museum's great hall. (270K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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Mossy Granite Outcrop, N. Ontario Canada ~ 1980
(Two prints left)
Green and yellow-orange mosses gain a foothold. Their base of operations is icy blue and lavender granite, striped with ripples of soft indigo and pink.
(414 JPEG)
Dye transfer print: 15" wide by 10.5" high (image area)
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Mercury Lamps and Leaves, Pasadena CA ~ 1972
>(Three prints left)
Mercury street lamps and urban lighting create a surreal scene. The lamps make the leaves of the trees nearly fluoresce with intense greens and cyans, while the collective city lights tint the sky a deep reddish-purple.
(406K JPEG)
Dye transfer print: 18" wide by 15" high (image area)
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Mud and Horsetails, N. Ontario Canada ~1980
(IMPORTANT: LAST PRINT LEFT!)
In the light of the setting sun, horsetails glow with almost luminescent shades of yellow-green, as they grow out of the rich brown-maroon mud of the stream bed.
(389K JPEG)
Dye transfer print: 12.5" wide by 10" high (image area)
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Aspens in First Snow, Great Basin National Park ~ 1988
(Four prints left)
Aspens still carry their bright and pale green and yellow leaves, made brilliant by sunlight, as a blanket of new snow dappled with fallen leaves covers the forest ground.
(471K JPEG)
Dye transfer print: 19" wide by 14.5" high (image area)
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Century Plants in Bloom, AZ ~ 1978
(Two prints left)
Century plants send up yellow and pale green stalks amid blue-grey scrub, emerald and forest-green firs, and pale purple sedge.
(479K JPEG)
Dye transfer print: 18.5" wide by 14" high (image area)
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Swordplant Against Cemetary Wall, Mission Dolores, S.F. CA ~ 1992
(Two prints left)
A cool gray cement wall provides a backdrop for a twisted swordplant, resplendent in shades of dusky green, fringed by pinkish-browns and hints of yellow.
(356K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Nasturtiums, Daly City CA ~ 1992
(IMPORTANT: LAST PRINT LEFT!)
Nasturtiums bloom in all their incandescent glory of fire-engine reds and oranges striped with yellow, amid their yellow and deep green leaves against a dark blue-gray weathered fence. (426K JPEG)
Dye transfer print: 18" wide by 15" high (image area)
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Pear Tree, Daly City CA ~ 1992
(Two prints left)
A delicate brown, green-leafed pear sapling is staked out for growth, tied to a brick red lattice with dark cyan ties, all set against the blue grey wall. (319K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Garden Wall & Bishop Hat Peak, Glacier International Park ~ 1986
(IMPORTANT: LAST PRINT LEFT!)
The Park's glaciers appear in ghostly shades of grays and greens in this cloud-shrouded scene. Their delicate pastels stand in strong contrast to the rich yellow-browns and forest greens of the meadows below.
(369K JPEG)
Dye transfer print: 19" wide by 14.5" high (image area)
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Overcast Cornfield, Lakeland MN ~ 1978
(IMPORTANT: LAST PRINT LEFT!)
Sunlight broke through the cold, gray overcast sky to waken the distant fields of golden cornstalks, backed by lovely crimson-orange fall foliage. Hints of deep forest green makes the warm hues appear all the more intense.
(287K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Frosted Field, Upper Michigan ~ 1978
(Seven prints left) Frost rendered this landscape nearly monochrome, icily brilliant in the overcast morning light. Subtle waves of dark brown and pale green in the grass and leaves relieve the cold gray of that chilly morning.
(393K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Red Sumac and Stones, WI ~ 1978
(Three prints left)
Aptly named red sumac spills over the boulders amidst stands of dried yellow grass.
(467K JPEG)
Dye transfer print: 19" wide by 13.5" high (image area)
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Rockwell Peak across Two Medicine Lake, Glacier Park ~ 1986
(Six prints left)
Overcast sky and clouds shroud Rockwell Peak and distant glaciers in this delicate and somber scene. The waters of the lake, reflecting the gray heavens, look like molten lead.
(172K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Stormy Weather at Drumheller Badlands, Alberta, Canada ~ 2005
(Four prints left)
Thunderclouds developing over the bluish-brown Canadian badlands create a dark, almost-charcoal-grey kind of light that makes the oncoming storms seem even more threatening. (262K JPEG)
Dye transfer print: 19" wide by 14" high (image area)
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Topiary Sea Serpent, Calgary ~ 2005
(Four prints left)
A mix of the fantastical, whimsical, and horticultural make for a dark yet cheery photograph, in shades of deep blue, jade, browns and yellow-greens. Not all art has to be serious, y'know. (220K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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Grumpy Toad, DC ~ 1977
(Three prints left)
Yes, it's anthropomorphizing, but it's all about the expression on this toad's face. Her mottled yellow, brown, and black skin fits nicely into the soft jade greens and yellows of her surroundings.
(201K JPEG)
Dye transfer print: 10" wide by 7.5" high (image area)
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Albino Bullfrog, Steinhart Aquarium, S.F. ~ 1977
(Five prints left)
This red-eyed, white-yellow-skinned bullfrog wears perhaps the sappiest grin in the animal kingdom. It made me smile enough to produce this "formal" portrait. (129K JPEG)
Dye transfer print: 10" wide by 7.5" high (image area)
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Irish Gravesite Amidst Palms, Mission Dolores S.F. ~ 1992
(Three prints left)
Protected from the sun by dark green palms, the gravesite and statuary appeared in shades of deepest, coldest blue, just visible in the shadowy landscape. The sun shines hotly on the yellow and green surroundings to create this near-silhouette of a composition.
(315K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Girl on Tombstone, Mission Dolores S.F. ~ 1992
(Three prints left)
Nearly monochrome in composition, this old weathered stone is speckled with uncountable points of color -- blues, browns, greens, and yellows, all subtle and all intermingling to create an impression of grey stone. A pointillist composition in real life.
(385K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Friar Francisco's Grave, Mission Dolores S.F. ~ 1992
(Three prints left)
Brilliant fuchsia bougainvillea overlook the gravesite sculpted in cold white stone and somber brown metalwork.
(233K JPEG)
Dye transfer print: 14.5" wide by 19" high (image area)
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Karrigan's Gravestone and Flowers, Mission Dolores,
SF CA ~ 1993
(IMPORTANT: LAST PRINT LEFT!)
This image sets the muted colors and coarse texture of a tomb stone against lush and vivid red, white and magenta flowers and green foliage. The dark background and high relief give the print a three-dimensional quality. (178K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Lake Shasta Pines, CA ~ 1991
(Three prints left)
The brilliant, yet realistic colors and the fine brushlike pine needles and branches give this image the look of a needlepoint. Rich greens and yellows predominate, with salmon and cyan accents. (197K JPEG)
Dye transfer print: 7.5" wide by 9.5" high (image area)
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Patio with Trees and Puddles, NCAR, Boulder CO ~ 1982
(Six prints left)
Another of my most popular photographs. It reminds some people of Magritte, others of Escher. The red sandstone of the National Center for Atmospheric Research is muted down to a nearly neutral grey-pink by the cold overcast sky, bits of which are reflected in the puddles. The tree leaves and blades of grass are a cool green-blue. (216K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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White House & Red Leaves, Ann Arbor MI ~ 1977
(Three prints left)
A soft and restful fall scene, the delicate blue-green shadows on the walls of this house lay in soft counterpoint to the subtle oranges and yellows of the fall leaves.
(332K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Yellow Leaves and Purple Wall, Ann Arbor MI ~ 1977
(Six prints left)
Complementary colors define this photograph, with the soft, deep purple walls of the house providing backdrop to the brilliant backlit yellow and green tree leaves.
(504K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Prize Frogs, Great America Park, Santa Clara CA --
1978
(Four prints left)
Brilliant green plush frogs wearing navy blue pants. Lots of them. All with different slightly blase plush countenances. A frog mob, waiting to explode. (168K JPEG)
Dye transfer print: 18.5" wide by 13.5" high (image area)
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Roses Against Black Stone Wall, Portland OR ~ 1990
Photographs almost never are as realistic as this photograph from the Portland Rose Garden. Roses in yellows, oranges and pinks, with silvery green leaves, are set against a deep blue-black stone wall. Strong colors but subtle contrast. (287K JPEG)
The accompanying JPEG enlarges a small
section of this photograph to show the level of fine detail in the original
print. (73K JPEG)
Dye transfer print:
- 17.5" wide by 15" high (image area) (Three prints left)
- 10" wide by 7.5" high (image area) (Three prints left)
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Still Life, Steinhart Aquarium, S.F. ~ 1980
(IMPORTANT: LAST PRINT LEFT!)
This subtle and popular study in greys of various hues, with touches of browns and greens, shows the lengths that these cold-blooded creatures will go to to soak up a few rays and warm themselves. If you don't like alligators, crocodiles or turtles, skip this. Why don't the turtles get eaten? Cause the big'uns are well-fed and it's too much trouble. (245K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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THE FOLLOWING ARE SOLD OUT AS DYE TRANSFER PRINTS |
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Acacia and Streetlamp, Campbell CA ~ 1975
Mercury streetlamps make the naturally vivid greens of the acacia tree fluoresce with eye-popping emeralds, jades, and incandescent yellows.
(426 JPEG)
Available as an Ultrachrome digital print
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Ivy on Brick Wall, George Eastman House, Rochester NY ~ 1978
Curtains of autumn ivy on the brick wall of the Eastman House garage look like a waterfall in greens, browns, yellows, oranges and reds. This is precisely the kind of image which only a dye transfer print can show off well. (287K JPEG)
Available as an Ultrachrome digital print
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Moon and Birches, Campbell CA ~ 1975
An eerie long exposure catches the moon as a fiery trail behind birch trees blowing in the wind. Urban street lamps give the trees a ghoulish green and blue cast, with hints of brown, in striking contrast to the red-magenta glow surrounding the moon.
(352K JPEG)
Available as an Ultrachrome digital print
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Pennsylvania Forest ~ 1972
This photograph is all about the greens, save for the important color accents of brown, sunlit bark on the trees. Lime-greens, yellow-greens, jade-greens, forest-greens, and more paint the scene, from the brilliant highlights into the deepest shadows.
(442K JPEG)
Available as an Ultrachrome digital print
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Bunker Davis, S.F. ~ 1976
This WWII cannon bunker, located along the San Francisco coast, is abandoned, rusted and overgrown with green and red ice plant. Photographed just a minute before sunset, the grazing ruddy light creates warm orange highlights and icy blue shadows. (254K JPEG)
Available as an Ultrachrome digital print
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Blue River, Canyon de Chelly ~ 1978
Late afternoon at the Canyon leaves the river in deep indigo shadows, accented with hints of purples and reds. In contrast, the warm late afternoon sunlight paints the red rocks of the canyon in incandescent hues of yellows and molten oranges.
(229K JPEG)
Available as an Ultrachrome digital print
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Moon & Bare Branches, WI ~ 1978
Fall in Wisconsin, as a harvest moon rises amidst the branches of the trees. This delicate composition is painted in subtle shades of mauve, dusky blue, browns, and greens.
(299K JPEG)
Available as an Ultrachrome digital print
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Grasslands at Dusk, Badlands National Park ~ 1984
Under a faded turquoise sky, the Badlands appear painted in watercolors, a full yet soft spectrum running from subtle reds and russets through oranges and yellows, into limes, greens, and delicate powder blues in the dusky shadows. (225K JPEG)
Available as an Ultrachrome digital print
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Birches & Fallen Leaves, Upper Michigan ~ 1978
Late fall light in upper Michigan paints a landscape in yellows and golds, almost luminescent in its backlit brilliance. The warm orange and hazel colors in the fallen leaves contrast nicely with the pale luminous screens and perfect, intensely-light yellows created by that waning sun.
(467K JPEG)
Available as an Ultrachrome digital print
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Kelp and Seaweed at Sunset, Laguna Beach CA ~ 1990
Grazing sunset light creates a strong relief in this image full of fine textures. Deep blue and pink-white sand provide the background for this found composition of green, yellow and brilliant orange seaweed. (253K JPEG)
An accompanying JPEG enlarges a small
section of this photograph to show the level of fine detail in the original
print. (151K JPEG)
Available as an Ultrachrome digital print
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Redwood Bipole, Humboldt Redwoods CA ~ 1992
Two neighboring redwoods produce an interlocking pattern of branches and shadows resembling lines of magnetic force. Tree trunks are rendered in deep forest greens and brilliant warm browns. They stand supporting and surrounded by hot yellow and green, and cool azure and blue foliage. (332K JPEG)
Available as an Ultrachrome digital print
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Kelp on Wet Sand, Laguna Beach CA ~ 1990
This eye-popping image shows strands of yellow and hot-orange kelp on ice-blue sand, grazed by the pink light of the setting sun. (236K JPEG)
Available as an Ultrachrome digital print
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Technology (more or less)
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Cormorants at the Cannery, Monterey CA ~ 1990
(Three prints left)
A rotting pier in deepest indigos supports rusted steel blue-grey walls. (306K JPEG)
Dye transfer print: 9.5" x 7.5" (image area)
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High Tension Lines, Shasta County CA ~ 1991
(Two prints left)
An intensely blue sky makes the stark shadows and bright rusty greys of the tower stand out in sharp relief. (328K JPEG)
Dye transfer print: "7.5 x 9.5" (image area)
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Heat-Cracked Tile, Oakland CA ~ 1992
(Three prints left)
Like a fault line, a sharp boundary separates the mottled grey ribbed concrete and binder from the rich orange and yellow, soot-stained hexagonal tiles (384K JPEG)
Dye transfer print: 7" x 9" (image area)
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Scorched Foundation, Oakland CA ~ 1992
(Four prints left)
Blue-black scorch marks stain the tan, ochre, and, ruddy blocks of a concrete foundation. Green plantlife begins to intrude. (510K JPEG)
Dye transfer print: 9.5" x 7.5" (image area)
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Empire State Building, NYC ~ 1999
(Two prints left)
The Empire State Building looms in this street-level view looking straight up the sides. At night, the building takes on soft olive hues from the surrounding streetlights, while the sky glows a dark and subtle blue. In stark contrast, the upper stories of the building are hotly decorated by cherry red-white floodlights. (243K JPEG)
Dye transfer print: 15" wide by 18.5" high (image area)
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Beckman Auditorium Columns, Pasadena CA ~ 1972
(Two prints left)
Illuminated by contrasting mercury streetlights and incandescent decorative lamps, the normally white Beckman Auditorium glowed with flaming oranges and reds and icy steel blues and cyans.(209K JPEG)
Dye transfer print: 15" wide by 18.5" high (image area)
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Olympic Stadium, Montreal Canada ~ 2001
(Four prints left)
This is no trick of the lens nor Photoshop. The form of the strangely curved and soaring tower of the Olympic Stadium is entirely real. A futuristic scene in dark, ruddy browns, icy blue-whites, and pale turquoise. (172K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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Trojan Plant Cooling Tower, OR ~ 1977
(IMPORTANT: LAST PRINT LEFT!)
The steam plumes from this nuclear plant created billowing cumulus-like puffs that seem to blend naturally into the late afternoon sky. The waning rays of the sun cast everything in warm tones of yellows, oranges, and olives, save for the insistent dusky blue of the distant sky.
(168K JPEG)
Dye transfer print: 10" x 8" (image area)
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Trojan Nuclear Plant Cooling Tower, OR ~ 1992
(Eight prints left)
The preceding photograph was made shortly after the Trojan plant was commissioned. This one was made shortly before it was decommissioned. The mood and colors stand in contrast, as well. The tower's aircraft warning lights bathe the tower and plume in a brilliant hellish red and orange glow that stands out against dusky blue-purple clouds. (184K JPEG)
Dye transfer print: 7.5" wide by 10" high (image area)
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Power Lines Sunset, L.A. ~ 1972
(IMPORTANT: LAST PRINT LEFT!)
Smoggy sunsets can make for lovely light. The last rays of the setting sun tint the sky and the landscape a panoply of lovely warm hues ranging from deep purple-magentas in the shadows through reds and oranges, shading into a delicate lavender sky.
(94 K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Lake District at Night, Oakland CA ~ 1994
(Three prints left)
Nighttime over Oakland, a cityscape portrayed in the darkest greens and browns and most brilliant cyans, oranges, and reds. A lone plane streaks the sky with a thin brushstroke of light. (193K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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Chicago Skyline and Trains ~ 2000
(Three prints left)
This formal composition contrasts an almost ethereal dusky blue-white Chicago skyline against the earthly tans, slate blues, and blacks of the rail system. (274K JPEG)
Dye transfer print: 14" wide by 19" high (image area)
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Chemical Plant at Night, Kalama WA ~1992
(Three prints left)
Sodium vapor lamps illuminate this distant chemical plant and give the sky a sulfurous yellow glow, accented by hot-red safety lights atop the plant's structures. (172K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Interstate Bridges on Columbia River, OR ~ 1990
(Two prints left)
Forest greens and deep cyan sky and water contrast with the soothing greens and tans of the Interstate Bridges that connect Oregon and Washington.
(266K JPEG)
Dye transfer print: 19" wide by 8.5" high (image area)
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Interstate Bridges, Portland OR ~ 1990
(Two prints left)
The sea-green girderwork of the Interstate Bridges shines brightly in the deep blue summer sky of Portland.
(221K JPEG)
Dye transfer print: 19" wide by 6.5" high (image area)
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Infrared Telescope, Mauna Kea HI ~ 2000
(Four prints left)
Looking upward from the base of the infrared telescope on Mauna Kea, one sees the nearly fluorescent orange paintwork of the telescope's supports mirrored as yellows and browns in the observatory's dome. (201K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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IRTF Dome, Mauna Kea HI ~ 2000
(Two prints left)
The dome of the InfraRed Telescope Facility is lined with foil to suppress radiation that would blind this heat-sensitive telescope. It catches the daylight in wonderfully textured shades of steel grays and blues and subtle delicate browns. (205K JPEG)
Dye transfer print: 14.5" wide by 19" high (image area)
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Marconi Transmitter, Cape Cod ~ 2004
(Two prints left)
A remembrance of things past, in somber brick-reds, yellow and tans. This is all that remains of Marconi's great transmitter. Still there's a hint of life in the shadows. (300K JPEG)
Dye transfer print: 19" wide by 15" high (image area)
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Moon and Fireworks, Vancouver EXPO ~ 1986
This strikingly surreal and colorful image looks like a computer-generated composite, but it's entirely real. Hot pink fireworks fill half the dark green-black sky with incredibly delicate tracery. A full moon hangs in the sky over the geodesic roof of the entrance to the 1986 World's Fair. (289K JPEG)
(Four prints left)
Dye transfer print: 19" wide by 13" high (image area)
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Rusted Grate and Refraction, Ann Arbor ~ 1972
(Four prints left)
This is an image of a three or four inch section of expanded metal screen. The blue and white squiggles come from light shining through windows glazed with rippled privacy glass. Primary colors are blue and pumpkin yellow, with some deep purple. (192K JPEG)
Dye transfer print: 18.5" wide by 15" high (image area)
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Solar One, Barstow CA ~ 1982
(IMPORTANT: LAST PRINT LEFT!)
This is a formal composition of a very surreal scene I chanced upon in the Mojave desert. When the boiler isn't operating, the computer-controlled mirrors of the Solar One power station redirect all their beams into two spots in the air on either side of the boiler tower, to avoid an accidental melt-down.
Pale blue sky, and sandy tans dominate the color scheme. (141K JPEG)
Dye transfer print: 15" wide by 19" high (image area)
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THE FOLLOWING ARE SOLD OUT AS DYE TRANSFER PRINTS!
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Weismann Art Museum, St. Paul MN ~ 1999
The Cubist-inspired facets of the Weismann Museum break up reflections of the sunset-lit clouds and sky into dappled panels of pale blues, dusky purples, burnt oranges and near-blacks. (381K JPEG)
Available as an Ultrachrome digital print
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Transamerica Pyramid, S.F. ~ 1976
This nighttime photograph of the Transamerica building seems to have true vanishing point perspective. The coloration in this print is both more subtle and more variegated than the monitor can convey. There are myriad delicate nuances of cyans, yellows, salmons and pinks playing over the different facets of the grey concrete facing and in the windows. (163K JPEG)
Available as an Ultrachrome digital print
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Walk/Don't Walk, Pasadena CA ~ 1972
This long exposure caught both the green and red illuminated tubes of a crossing sign, creating a visual illusion the eye could never see. Where the tubes overlapped in the exposure, green light combined with red to create various shades of oranges and yellows in a fascinating pattern of stripes and swirls around the bends of the tubes.
(262K JPEG)
Available as an Ultrachrome digital print
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Brass Horn, Pasadena CA ~ 1972
Light flows like molten metal across this corroded musical instrument, illuminating it in radiant yellows, oranges, coppers, golds, and siennas.
(258K JPEG)
Available as an Ultrachrome digital print
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Corrugated Galvanized Steel, Julian CA ~ 1990
Corrosion creates an intricate pattern of colors and textures on the blue crystalline zinc coating on the steel. Streaks of vermillion and orange mix with intricate textures in the same hues. Warm tones and cold tones are mirrored in a counterpoint composition.
(291K JPEG)
Available as an Ultrachrome digital print
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Bank of America HQ, S.F. ~ 1978
A view straight up the side of the Bank of America headquarters at night becomes an abstract composition in poster-paint colors of jade green, ruddy orange, yellow, and deep saturated blue.
(111K JPEG)
Available as an Ultrachrome digital print
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Ft. Peck Dam Spillway, MT ~ 1980
After dusk the dam's spillway catches the twilight sky, picking up tones of purples, pinks, and blues in a marbled pattern.
(229K JPEG)
Available as an Ultrachrome digital print
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"FUN", Great America Park, Santa Clara CA ~ 1978
Bright reds, magentas, yellows and blues make up this strong image of a neon sign at the amusement park. The intense shadows and strong lighting make it appear three-dimensional, while the overall texture of the film grain lends a pointillistic quality. (100K JPEG)
Available as an Ultrachrome digital print
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You can email Ctein at ctein@pobox.com
This material is Copyright © 2016 by Ctein. All rights reserved |
